Festival marks anniversary with opening of Henry V

July 9, 2012… The Stratford Shakespeare Festival continues to mark its 60th season this week with the world premières of three Canadian plays and the opening of Artistic Director Des McAnuff’s production of Henry V. The Festival has been heralded recently throughout North America as a top destination for travel and culture, giving it even more reason to celebrate.

Henry V, featuring Aaron Krohn in the title role, will open on Friday, July 13, the Festival’s anniversary. Wednesday sees the opening of Wanderlust, a new musical commissioned by the Festival from Morris Panych and Marek Norman, based on the poetry of Robert Service. Daniel MacIvor’s new play The Best Brothers, workshopped at the Festival and directed by Associate Artistic Director Dean Gabourie, opens Thursday afternoon, followed that evening by Hirsch, which celebrates the life and career of former Artistic Director John Hirsch. Developed at Stratford over the past three years, Hirsch was created and conceived by Alon Nashman and Paul Thompson.

“One of my proudest achievements at the Festival is to have mounted a celebratory 60th season that features Canadian works in such abundance,” says Mr. McAnuff, who concludes his tenure as Artistic Director at the end of 2012 and was recently appointed to the Order of Canada. “Fully 50 per cent of the productions on our playbill this year are written by Canadians. They represent an enormous range of dramatic genres, showcasing the talent that has developed in Canada’s rich theatrical landscape since the founding of the Festival 60 years ago.”

“This second round of openings heralds the beginning of the summer season in Stratford,” says General Director Antoni Cimolino, who has been named the Festival’s next Artistic Director. “We have recently been showcased as a top destination by a number of influential media outlets, establishing even further the appeal of this idyllic city. We hope people recognize what an ideal vacation spot Stratford is and include a visit to the Festival in their holiday plans. This year’s productions have won critical acclaim across the board and have been delighting audiences since the season began in April.”

Inspired by the success of Jesus Christ Superstar on Broadway, The New York Times visited Stratford this spring and trumpeted the joys of the city and the Festival in its travel section in June. NPR (National Public Radio) in the U.S. has chosen to include Stratford in a feature of five significant cultural destinations in North America, the only one in Canada. Frommer’s included Stratford as a Top 10 Canadian Summer Vacation Destination; Reader’s Digest featured Stratford in its Top 10 Canadian Road Trips; and Trip Advisor named Stratford one of Canada’s Top 10 Cultural Destinations. Stratford has also been chosen as an iconic Canadian experience for travel writer Robin Esrock’s upcoming book The Great Canadian Bucket List.

Next to open this season is A Word or Two, written, arranged and performed by Christopher Plummer, which is being presented as a special 60th season event. Directed by Mr. McAnuff, the production, which begins previews on July 25 and opens August 2, is an autobiographical journey through the literature that has stirred the actor’s imagination since youth. Mr. Plummer, who this year won an Academy Award and a Golden Globe for his performance in the film Beginners, is one of the Festival’s most lauded alumni, first appearing at Stratford in 1956 in the title role of Henry V. This will be the third collaboration between Mr. Plummer and Mr. McAnuff at the Festival; their first two projects, Caesar and Cleopatra, in which Mr. Plummer played Julius Caesar, and The Tempest, in which he played Prospero, have also been captured on film for cinematic release.

The season’s final offering, Sophokles’ Elektra, translated by Canadian poet Anne Carson, will open August 11, featuring Yanna McIntosh in the title role and Seana McKenna as Clytemestra.

In addition to Henry V, the season features two other Shakespeares – Cymbeline, directed by Mr. Cimolino, which is being praised as one of the finest ever productions of this challenging classic, and Much Ado About Nothing. Three musicals are also on stage – 42nd Street, The Pirates of Penzance, and You’re a Good Man, Charlie Brown – as well as Thornton Wilder’s comedy The Matchmaker, which is being hailed as the feel-good show of the year. The War of 1812, by Canadian playwright Michael Hollingsworth, opened on Canada Day, and MacHomer, created and performed by Rick Miller, enjoyed a limited engagement at Stratford in May.

The Festival marked its 60th season by publishing Stratford Behind the Scenes, a full-colour book that reveals the complexities of season planning and captures the superb artistry carried out by the Festival’s costumes, props, sets and wigs departments. An ebook of Stratford Behind the Scenes will be launched this summer.

An archival exhibition, Most Rare Visions: 60 Years of the Stratford Shakespeare Festival, is open to the public daily at 104 Downie Street, across from the Avon Theatre. It features costumes, unique artefacts and props, plus rare footage and new interviews with key players in the Festival’s history

Since its founding 60 years ago, the Stratford Shakespeare Festival has welcomed more than 25 million visitors. Originally conceived as an economic stimulus for the community, the Festival now generates about $140 million in economic activity annually. It employs 1,000 people and creates 3,000 full-year jobs.

The Stratford Shakespeare Festival’s 2012 season runs until October 28. To purchase tickets, visit www.stratfordshakespearefestival.com or call 1.800.567.1600.

Advertisements

$10 tickets to MacHomer on May 3, 2012 at 11 a.m.!

Here’s a lucky last minute deal!

We’re offering you $10* tickets to see MacHomer, tomorrow, May 3, 2012 at 11 a.m.!  Simply login to our website using promotion code 43522 to take advantage of this amazing deal! There are a limited number of seats, so act quickly or you might be saying “d’oh”!

*Valid on new orders only and on specified date only.  Offer not valid on previously purchased tickets, on exchanges or in combination with any other offer. Offer subject to ticket availability. Performances, casting, dates and pricing subject to change without notice.  Excludes group orders (10 tickets or more to one performance date). Taxes and handling fees apply.  Offer may expire without notice.

Rick Miller’s MacHomer starts previews | One-man show blends Shakespeare and The Simpsons

 May 2, 2012…Contemporary and classical pop culture converge in the ingenious and wildly entertaining multimedia production MacHomer. The one-person show, which tells the story of Shakespeare’s Macbeth through the characters of the television series The Simpsons, begins previews at the Studio Theatre on May 2.
 
This production is created and performed by Canadian Rick Miller, who adopts more than 50 different Simpsons character voices while retaining most of Shakespeare’s text. This one-man saga of blind ambition, fate and doughnuts has become an international hit, earning delighted acclaim from audiences of all ages.
 
“Rick Miller is an actor of monumental talents with a wicked sense of humour,” says Artistic Director Des McAnuff. “He and I had a marvellous meeting a year ago in Sydney, Australia, to talk about his promising future at Stratford. I am thrilled to have him presenting this brilliant one-man show as the inaugural production of our 60th season.”
 
“This production will delight not only audiences who know and love Macbeth but also those who have never dared to try a Shakespeare play before,” says General DirectorAntoni Cimolino. “I can’t think of a more hilarious introduction to our greatest cultural icon.”
 
The production runs for a limited engagement, opening officially on May 5 and closing on May 26.
 
MacHomer is a WYRD Production in association with Jeff Lord/KIDOONS Network, Erich Jungwirth/VoiceChair Productions and Richard Jordan Productions, Ltd.
 
MacHomer is adapted from William Shakespeare’s Macbeth and characters created by Matt Groening.

2012 Shakespeare Overview

By Aaron Kropf

As we all know by now, 2012 marks the Diamond 60th Season of the Stratford Shakespeare Festival. In this milestone year of celebration, the Festival brings you three plays that reveal very different facets of Shakespeare’s genius – a comedy, a history and a romance – together with a hilarious comic take on one of his most popular tragedies. Let’s have a quick look at each of the Shakespeare shows on our 2012 playbill, starting with the one that opens first.

MacHomer is Shakespeare with a difference, pairing one of his best-known plays with one of the 20th century’s most recognizable families. Actor and comedian Rick Miller has entertained audiences around the globe with this mashup of Macbeth and – wait for it – The Simpsons. Now, I know many of you are asking: why would the Stratford Shakespeare Festival present a send-up of Shakespeare? Well, for two reasons: first, MacHomer is brilliantly entertaining in its own right, and second, it’s a great way of introducing Shakespeare to new audiences. Younger folks whose only experience of these plays has come from reading them in school will discover the amazing world of Shakespeare in performance – via a popular-culture phenomenon they’re already comfortable with. MacHomer runs at the Studio Theatre early in the season, from May 2 to May 26, with its official opening May 5.

The show featured in this season’s gala opening is Much Ado About Nothing. Directed by Christopher Newton (former Artistic Director of the Shaw Festival), this high comedy contains some of Shakespeare’s best-loved characters and some of his most glorious wit. If you haven’t already read the article on Much Ado’s “merry war” of words in our November issue of SceneNotes, be sure to take a look at it here. With a fantastic cast led by real-life husband and wife Ben Carlson and Deborah Hay as Benedick and Beatrice, this is one production you won’t want to miss. Much Ado About Nothing runs at the Festival Theatre from April 26 to October 27, opening May 28.

Next to open is the romance Cymbeline, directed by Stratford Shakespeare Festival General Director Antoni Cimolino. Being produced for only the fourth time in the Festival’s history, this beautifully moving play has a cast that includes Cara Ricketts as Imogen and Geraint Wyn Davies in the title role. Don’t miss your chance to see this rarely performed masterpiece – who knows when the opportunity will come again? Cymbeline plays at the Tom Patterson Theatre from May 10 to September 30, opening May 31.

Finally, to round out our 60th season celebration, we’re presenting the epic drama Henry V – which will open at the Festival Theatre on the anniversary of our very first performance in 1953. This is a play with special significance for Stratford: when we first presented it in 1956 (our last season in the original tent), Christopher Plummer played the title role and the production became a legend in Canadian theatrical history. Aaron Krohn, who won such critical acclaim in 2011 for his performance as Lenny in The Homecoming, will play Henry this time round, in a production directed by our Artistic Director, Des McAnuff. Henry V runs June 24 to September 29, opening July 13. Here’s a video that will tell you a little more about the show:

We hope you’ll join us in 2012: it promises to be a stellar 60th season!

Get ready for the 2012 season!

By Christi Rutledge

Well, we officially wrapped up the 2011 season last weekend with the closing of Jesus Christ Superstar at the Stratford Shakespeare Festival. It has been an absolutely fabulous season – and as sad as I am to see it close, I can’t help but get excited about 2012! We have a spectacular line-up to celebrate our 60th season of world-class theatre. Take a tour with me as we explore what’s being offered on our five (!) stages next year.

The Festival Theatre will host four productions: Henry V, Much Ado About Nothing, 42nd Street and The Matchmaker. Henry V will return to the Festival stage for the first time in 11 years. Directed by Des McAnuff, this production will no doubt be spectacular and have lots to say about war, leadership and friendship. Expect to see a familiar face on stage as Aaron Krohn, who played Lenny in The Homecoming this year, takes on the title role. Mr. Krohn is joining the ranks of some luminous actors – the part of Henry V was first performed at the Festival by a man named Christopher Plummer.

Much Ado About Nothing is high comedy perfection – and with a cast featuring Ben Carlson and Deborah Hay as Benedick and Beatrice, it will be impossible for anyone to resist this performance. Expect to see a Brazilian flare to this witty comedy directed by Christopher Newton, former Artistic Director of the Shaw Festival.

The Festival is also extremely excited to welcome back Cynthia Dale, who will play Dorothy Brock in Gary Griffin’s production of 42nd Street. This smash Broadway hit tells the classic story of a small town girl moving to the big city to make a name for herself. And it’s full of sensational tap dancing!

And last, but certainly not least, the Festival stage will feature The Matchmaker– Thornton Wilder’s story of a wealthy merchant named Horace Vandergelder (played by Tom McCamus) who searches for a wife with the help of his matchmaker, Dolly Levi (Seana McKenna). This production will be directed by Chris Abraham, who brought you The Little Years (2011) and For the Pleasure of Seeing Her Again (2010).

Over at the Avon Theatre, the greatly anticipated return of Gilbert and Sullivan has finally come with Ethan McSweeny’s staging of The Pirates of Penzance. The theatre will also house a one-hander called A Word or Two, written and performed by the legendary Christopher Plummer and directed by Des McAnuff. And there will be a production that appeals to the child in everyone – You’re a Good Man, Charlie Brown.

It is always exciting for us at the theatre and for our patrons when we get to put on a show as magical as Pirates. It’s one of the first plays that my brother saw as a child here at the Festival, and I remember him coming home from his school trip in 1994 and telling me how fascinated he was by it. Filled with wit and with cherished musical numbers, this is a great play for children and adults alike.

A Word or Two will no doubt be difficult to get tickets to, so the sooner you order yours, the better. You won’t want to miss seeing Mr. Plummer back on our stage to offer an intimate look at his life-long love of literature. And Donna Feore’s production of You’re a Good Man, Charlie Brown – presented for the first time at the Festival thanks to Schulich Children’s Plays – will be another heart-warming show to bring the family to. For all the baby-boomers out there, it also offers a chance to revisit a beloved childhood icon.

My favourite theatre, the Tom Patterson, will feature three productions next year: Cymbeline, Wanderlust and Elektra. I am particularly excited for this set of shows!

Cymbeline will be directed by Antoni Cimolino. After falling in love with The Grapes of Wrath this season, I can hardly wait to see how he interprets this fantastic Shakespearean romance.

Another show to get excited about is Wanderlust, a new Canadian musical by Morris Panych and Marek Norman. Wanderlust is a fictional story about the adventures of Robert Service, the great Bard of theYukon, as he grapples with his love for his co-worker Louise, who is engaged to a forbidding man. With songs based on Service’s poetry and Tom Rooney playing the lead (as well as Lucy Peacock playing his landlady, Mrs. Munsch!), this piece had me at “hello.”

Lastly, let’s take a look at Elektra – a play that should be on everyone’s must-see list for the 2012 season. This classic Greek tragedy will be led by the fabulous Yanna McIntosh in the title role, along with Seana McKenna as Clytemestra. Athenian director Thomas Moschopoulos will be making his Festival debut with this production; you may know him as the artist behind the Olympic closing ceremony in Athens in 2004.

The Studio Theatre is home to three productions in our 60th season: MacHomer, The Best Brothers and Hirsch. Rick Millers’ MacHomer, directed by Sean Lynch, reimagines Shakespeare’s Macbeth through the voices of more than fifty characters from The Simpsons. If you’re dying to see this hilarious production, make sure to book tickets soon – it’s only running through the month of May!

Daniel MacIvor’s The Best Brothers is another new Canadian play that we’re excited to feature in its world première. Associate Artistic Director Dean Gabourie helms this two-man show, in which Mr. MacIvor will star. It’s about two brothers, Hamilton and Kyle Best. Upon the unexpected death of their mother, Hamilton and Kyle mourn in very different ways, leading them to some profound realizations about each other and the woman who raised them.

The last play that we’ll be showing on the Studio stage is Hirsch, a play chronicling the life of John Hirsch, former Artistic Director of the Festival. Mr. Hirsch was orphaned at a young age by the Holocaust, but survived and eventually moved to Canada, where his fierce talent and stormy temperament won him acclaim in the theatre. It’s a gripping play, created and conceived by two celebrated Canadian theatre makers: Alon Nashman and Paul Thompson.

One final production, I promise, and then I’m done!

Next year we will be hosting special guest ensemble VideoCabaret in a brand new theatre space. The Studio Theatre Annex will be accessible through the Studio Theatre and will feature The War of 1812, a satirical examination of Canada’s past from Michael Hollingsworth’s series The History of the Village of the Small Huts.

PHEW – I got through them all! I am so excited to share more about our 2012 productions and hope that you find a great selection of shows to come see during our 60th season.

Any shows that you’re already looking forward to? Share your thoughts on our 2012 season!

 

 

Press Release: Artistic Director Des McAnuff extended through 2013 season Festival announces 2012 playbill

The Stratford Shakespeare Festival’s Board of Governors is delighted to announce that Des McAnuff will continue as Artistic Director through the 2013 season.

“Mr. McAnuff is a very gifted director and leader who is much in demand, and we are delighted that he has agreed to continue as our Artistic Director for an additional two years,” says Dr. Lee Myers, Chair of the Board of Governors.

“Stratford is an extraordinary place,” says Mr. McAnuff. “The Festival is a treasured institution for our audiences, our artists and our country. We’ve been able to make some great strides in the last four years, both building on our longstanding traditions and infusing a renewed spirit of innovation. I’m thrilled to continue as Artistic Director through to the 2013 season.

“I’ve completed the planning on our 2012 season, the Festival’s milestone 60th, and have some preliminary plans in place for 2013. Although I have some exciting projects emerging in my work outside of Stratford that will pull me away following the 2013 season, I do hope to serve as a director in the future here and to continue to play an active role in the development of this magnificent theatre.”

“Mr. McAnuff has made his mark on Stratford in his first four years at the helm as Artistic Director,” says Dr. Myers. “He has strengthened our exceptional acting company and added to our ensemble of internationally renowned directors and other theatre artists. He has successfully expanded the Festival’s work into other media, filming productions of Caesar and Cleopatra and The Tempest for cinema release and television broadcast.

“At the same time, our work is finding a home further afield with the co-production of Phèdre in San Francisco, the transfer of A Funny Thing Happened on the Way to the Forum to Toronto, and the extended run of Brian Bedford’s hugely successful production of The Importance of Being Earnest in New York, for which Mr. Bedford received a Tony Award nomination.

“Mr. McAnuff’s progressive stance on casting has increased the company’s diversity, a trend that has been lauded in the media and among members of the industry. Deeply committed to developing new audiences and increasing student attendance, he is also dedicated to providing the best training for Stratford’s artists through our Birmingham Conservatory for Classical Theatre and the Michael Langham Workshop for Classical Direction, thereby ensuring that future audiences will continue to enjoy superb classical theatre.

“His strong commitment to new play development is evidenced by the numerous world premières staged over the last four years, including this year’s new version of The Little Years by John Mighton, which was commissioned by the Festival.

“The Stratford Shakespeare Festival is in extremely good hands under the leadership of Mr. McAnuff and General Director Antoni Cimolino, and I’m particularly excited about the plans for the forthcoming 60th season in 2012.”

2012 season covers ‘complete Stratford landscape

A one-man show adapted, arranged and performed by Christopher Plummer is one of the highlights of the Stratford Shakespeare Festival’s 60th season, a season that also features three world premières – including a new Canadian musical.

The playbill announced today by Mr. McAnuff includes three Shakespeare plays (plus a comic one-man adaptation of Macbeth), a tragedy by Sophocles, a Gilbert and Sullivan operetta and a selection of other musicals and comedies that will appeal to audiences of all ages.

“I’m very excited about our 2012 season,” says Mr. McAnuff. “It covers the complete Stratford landscape, from Shakespeare – and an innovative Canadian take on Shakespeare – to a substantial body of new work.

“By including one of the classic Greek tragedies on our playbill, we touch the very roots of western drama; and to have the great Christopher Plummer return to our company in a show of his own creation seems to me to embody perfectly the marriage of tradition and innovation that characterizes our Festival.

“I know our patrons will be as delighted as I am to see Gilbert and Sullivan back on our stages. I’m thrilled, too, that we once again have family-oriented repertoire on the playbill, and I am immensely proud of the fact that we will also be premièring a new Canadian musical.”

“I want to congratulate Des and all of the Festival artists who will be involved in what I know will be an outstanding 60th season,” says Mr. Cimolino. “As someone who was intimately involved with the planning of the 50th season and had the pleasure of playing Romeo in the 40th season, I take great joy in watching this theatre flourish and grow. Des has created a tremendous playbill with which to mark this milestone. It reaches into every corner of our mandate, from classics to new commissions, and will give our audiences great cause for celebration in 2012.”

At the Festival Theatre, Mr. McAnuff will direct Henry V, perhaps Shakespeare’s most penetrating study of kingship. Ending years of civil strife occasioned by his father’s seizure of the crown, Henry unites his people by means of a campaign against the French, culminating in his famous against-the-odds victory at Agincourt.

Also at the Festival Theatre will be one of Shakespeare’s most popular comedies, Much Ado About Nothing, directed by Christopher Newton, former Artistic Director of the Shaw Festival and a member of the Stratford Festival acting company in the 1960s. Featuring the famously bickering duo of Beatrice and Benedick, it’s a tale of young love disrupted by the villainous Don John, whose machinations are finally brought to light by the hilariously inept Dogberry.

42nd Street, with music by Harry Warren, lyrics by Al Dubin and book by Michael Stewart and Mark Bramble, follows the journey of Peggy Sawyer, a chorus girl who becomes a star when she takes over a leading Broadway role on opening night. Regarded by many as the quintessential backstage musical, it will be directed by Gary Griffin, whose Stratford productions of West Side Story, Evita and Camelot have won widespread popular and critical acclaim.

Completing the line-up at the Festival Theatre is Thornton Wilder’s The Matchmaker, a comedy that owes its existence in part to the Festival’s first Artistic Director, Tyrone Guthrie, who in the early 1950s urged Wilder to rework its earlier incarnation, The Merchant of Yonkers.

“There’s a fascinating bit of trivia about Guthrie’s involvement with The Matchmaker that I’ve heard from both Michael Langham and Christopher Plummer,” says Mr. McAnuff. “Wilder actually came to Stratford to work with Guthrie on the new version of his play – and while he was here, Guthrie also put him to work in the prop shop.”

The story of marriage broker Dolly Gallagher Levi, who sets her own sights on one of her clients, the irascible businessman Horace Vandergelder, The Matchmaker was later adapted into the musical Hello, Dolly! (presented at the Festival in 2005). It will be directed by Chris Abraham, who directed a memorable production of For the Pleasure of Seeing Her Again for the 2010 season and is directing The Little Years, opening later this season.

Meanwhile at the Avon Theatre, the incomparable Christopher Plummer takes to the stage to present his one-man show A Word or Two, a deeply personal work that focuses on his love of literature and the way it has shaped his life. Including selections from Stephen Leacock, Bernard Shaw and, of course, William Shakespeare, A Word or Two will be supervised and directed by Mr. McAnuff.

Two musicals will be presented at the Avon Theatre: Gilbert and Sullivan’s comic operetta The Pirates of Penzance and the family favourite You’re a Good Man, Charlie Brown.

Directed by Ethan McSweeny, whose acclaimed production of Dangerous Liaisons was a highlight of the Festival’s 2009 season, The Pirates of Penzance is the delightfully zany story of the love between Frederic, indentured to a pirate crew made up entirely of orphans, and the lovely Mabel Stanley, whose father is “the very model of a modern Major-General.”

You’re a Good Man, Charlie Brown, inspired by the world-renowned comic strip Peanuts, brings to the stage all Charles M. Schultz’s beloved characters – including Charlie’s beagle, Snoopy, and his nemesis, Lucy – in a musical guaranteed to delight the whole family. With book, music and lyrics by Clark M. Gesner, the show will be directed by Donna Feore, whose most recent Festival credit was her 2009 production of Cyrano de Bergerac.

The season’s third Shakespeare play, Cymbeline, will be presented at the Tom Patterson Theatre, where it will be directed by Mr. Cimolino. It tells of the trials of Imogen, separated from her husband Posthumus through the villainy of the would-be seducer Iachimo. Like The Winter’s Tale and The Tempest, Cymbeline belongs to a group of plays Shakespeare wrote late in his career in which he explored themes of loss, reunion and reconciliation.

Joining Cymbeline at the Tom Patterson Theatre is a classic from ancient Greece: Sophocles’ Elektra, in a translation by celebrated Canadian poet Anne Carson. A timeless tale of vengeful matricide and the price that must be paid for it, Elektra will be staged by Athenian director Thomas Moschopoulos, one of modern Greece’s most internationally acclaimed theatre artists.

Four Canadian works, including three world premières developed through the Festival’s New Play program, will round out the 2012 season.

Robert Service, who immortalized the Yukon in such beloved poems as “The Shooting of Dan McGrew” and “The Cremation of Sam Magee,” is the subject of the new musical Wanderlust, to be presented at the Tom Patterson Theatre. Written and directed by Morris Panych, with music by Marek Norman, this Festival commission celebrates both the allure of the frontier and the power of the imagination with a wit that matches the best of Service’s poetry.

In The Hirsch Project (working title), developed through the Festival’s New Play  program, Alon Nashman and Paul Thompson paint an intimate portrait of former Festival Artistic Director John Hirsch. Compiled from documents, letters and interviews, this play for a solo performer tells the story of Hirsch’s escape from the Holocaust, his arrival in Canada and his rise to national and international acclaim as a theatre director. Mr. Nashman will perform the piece, which will be directed by Mr. Thompson at the Studio Theatre.

In another world première developed with the New Play Department, Daniel MacIvor’s The Best Brothers, two brothers re-examine their lives and relationships – with their partners and with each other – after the death of their beloved mother. This brilliant and biting comedy will be staged at the Studio Theatre under the direction of Dean Gabourie, the Festival’s Assistant Artistic Director, who directed 2009’s hilarious production of The Two Gentlemen of Verona.

Also at the Studio will be MacHomer, an ingenious and wildly entertaining multi-media production in which Shakespeare’s Macbeth meets the animated TV show The Simpsons. Created and performed by Canadian Rick Miller, who adopts more than 50 different Simpsons character voices while retaining most of Shakespeare’s text, this one-man saga of blind ambition, fate and doughnuts has become an international hit, earning delighted acclaim from audiences of all ages.