Press Release | Stratford Festival unveils 2014 season | Madness: Minds Pushed to the Edge

August 20, 2013… Artistic Director Antoni Cimolino is delighted to announce the 2014 season, in which, through the prism of a dozen plays, the Stratford Festival will explore the theme of Madness: Minds Pushed to the Edge.

“What excites me about this playbill is it contains plays in which the protagonists are driven to extraordinary places,” says Mr. Cimolino. “Extreme stakes lead to great drama.”

“These plays explore minds that are driven out of balance by a variety of forces: love, war, poverty, age, sexuality. In today’s fast-paced global community, we are becoming ever more acutely aware of the consequences of such pressures. The issues behind them are interesting in themselves, but what they do to the human mind – to us – is ultimately the most fascinating thing. When the pressures of life become great enough, our minds give way to other realities. The result is often heartbreakingly tragic, but can also be a trigger for comedy.”

The season coincides with the 450th anniversary of the birth of William Shakespeare, and to mark that occasion, Mr. Cimolino has programmed five Shakespeare productions, including two versions of A Midsummer Night’s Dream, a play that revolves around the madness of young love.

“For the first time in our history, we will examine a Shakespeare play in two different productions within the same season,” says Mr. Cimolino. “The first will be directed by one of Canada’s most exciting young directors, Chris Abraham; the second by one of the most highly regarded, internationally acclaimed directors of Shakespeare, Peter Sellars: two very different approaches to Shakespeare’s text.”

The season will also feature King Lear; Antony and Cleopatra; King John; The Beaux’ Stratagem; Mother Courage; Hay Fever; Alice Through the Looking-Glass; Christina, The Girl King; and the musicals Crazy for You and Man of La Mancha.

“I’m very excited about the creative teams who’ll be working on this season with me,” says Mr. Cimolino. “In addition to Chris and Peter, our lineup of directors includes the great Martha Henry and others whose work has captivated Festival audiences in recent seasons: Donna Feore, Tim Carroll and Gary Griffin. I’m also looking forward tremendously to the Stratford debuts of artistic leaders from other major Canadian cultural institutions – Jillian Keiley from the National Arts Centre, Alisa Palmer from the National Theatre School and Vanessa Porteous from Alberta Theatre Projects – as well as Robert McQueen, whose work in opera and musical theatre has been acclaimed internationally.”

King Lear | By William Shakespeare | Directed by Antoni Cimolino | Festival Theatre #sfKingLear

The season will open at the Festival Theatre with the Shakespearean masterpiece King Lear, directed by Mr. Cimolino, whose sold-out production of Mary Stuart has been the runaway hit of 2013.

King Lear is the ultimate example of a mind pushed to the edge. When the aging king decides to divide his kingdom among his three daughters, requiring each in turn to publicly profess how much she loves him, he sets in motion a train of events that will rob him of his home, his status and his sanity – everything except the honest love and loyalty of his youngest daughter, Cordelia. Meanwhile, the Earl of Gloucester is falsely persuaded by his illegitimate son, Edmund, that his other son, Edgar, is conspiring against him. Both these fathers pay for their misjudgements by being driven to the very limits of human endurance.

King Lear speaks to the simple, naked humanity shared by everyone from a monarch to the poorest of the poor,” says Mr. Cimolino. “It’s from that essential humanity, not the trappings of wealth or power, that we claim our right to exist. After Lear loses everything, he finds that he is no longer who he thought he was. This loss is a liberation. In his subsequent madness he sees his own folly, awakens to empathy and discovers his soul.”

Like Mary Stuart this season, Mr. Cimolino’s 2012 production of Cymbeline caught the public’s imagination, and was twice extended to meet demand for tickets. His production of The Merchant of Venice opened last week to unanimous acclaim. Mr. Cimolino’s other Shakespeare credits at Stratford include Coriolanus with Colm Feore and Martha Henry in 2006, As You Like It with Graham Abbey, Stephen Ouimette and Sara Topham in 2005, King John with Peter Donaldson and Stephen Ouimette in 2004, Love’s Labour’s Lost with Graham Abbey and Brian Bedford in 2003 and Twelfth Night with Domini Blythe, Peter Donaldson and William Hutt in 2001.

Crazy for You | Music by George Gershwin | Lyrics by Ira Gershwin | Book by Ken Ludwig | Directed and Choreographed by Donna Feore | Festival Theatre
#sfCrazy

Never before produced by the Festival, Crazy for You will be directed and choreographed at the Festival Theatre by Donna Feore, the force behind a growing list of hit musicals at the Festival, including one of this season’s hottest tickets, Fiddler on the Roof, as well as 2012’s You’re a Good Man, Charlie Brown, 2007’s Oklahoma! and 2006’s Oliver!

Set in the 1930s, Crazy for You is the story of Bobby Child, the scion of a wealthy banking family, whose dream in life is to be a Broadway dancer. Sent by his mother to foreclose on a struggling theatre, he faces a dilemma when he falls in love with a local girl whose affections he will lose if he carries out his mother’s commission. His solution: put on a show and pay off the theatre’s mortgage.

This high-energy romantic comedy – replete with mistaken identities, plot twists and stunning dance numbers – is packed with beloved Gershwin songs, including “I Got Rhythm,” “They Can’t Take That Away from Me,” “Nice Work if You Can Get It,” “Embraceable You” and “Someone to Watch Over Me.”

Crazy for You presents a joyous view of love and madness,” says Mr. Cimolino. “But the story is secondary to the powerful force of the Gershwins’ music. The bedrock of their work is the music of the Russian and Ukrainian steppes, which led the brothers to write brilliant, entertaining, lively music, with an energy and madness of its own. It is the music of adversity now finding itself in the new world, in what should be the land of milk and honey.”

Next year, Ms Feore will celebrate her 20th season with the Festival. To her musical credits, Ms Feore adds the choreography of more than 20 productions here, as well as the direction of the captivating production of Cyrano de Bergerac in 2009. Ms Feore’s other credits include directing The Very, Very Best of Broadway with Martin Short and Marvin Hamlisch; the Canadian Stage productions of Rock ’n’ Roll and It’s a Wonderful Life; the Detroit Symphony Orchestra’s Lecture on the Weather and A Soldier’s Tale with F. Murray Abraham; and the Toronto Symphony Orchestra’s Mozart: A Life in Letters. Her film credits include Politics Is Cruel, Mean Girls, Eloise, Martin and Lewis, Stormy Weather and the opera films Romeo and Juliette and Don Giovanni Unmasked.

A Midsummer Night’s Dream | By William Shakespeare | Directed by Chris Abraham | Festival Theatre
#sfDream

Chris Abraham, hot off his spell-binding production of Othello, will direct his first Shakespeare on the Festival Stage, A Midsummer Night’s Dream.

This delightful Shakespearean comedy of unrequited desire is imbued with the same life force that permeates Crazy for You. The madness of love runs riot as Hermia flees to the woods with her lover, Lysander, to escape her father’s command that she marry Demetrius. Demetrius follows, pursued by Helena, whose love he spurns. Their romantic problems intensify when the fairy world intervenes.

A Midsummer Night’s Dream explores the madness of young love – intemperate, powerful, blind, rash,” says Mr. Cimolino. “It is Romeo and Juliet with a happy ending. This young love, however, exists in a male-dominated world where parents want to control their children’s natural desires, causing a series of metamorphoses. Even the natural world revolts at man’s determination to subvert these desires, putting the climate in disarray.”

Mr. Abraham, who is Artistic Director of Crow’s Theatre in Toronto, will mark his fifth season at Stratford, where he has quickly established himself as a director of note with stellar productions of The Matchmaker, The Little Years and For the Pleasure of Seeing Her Again to his credit. He has won numerous awards in his career, including a Dora for The Little Years, which he directed at Tarragon after its Stratford run. He also has received Doras for Eternal Hydra and Easy Lenny Lazmon, and a Gemini for I, Claudia, and was the recipient of the Siminovitch Protégé Award in 2002. His other credits include Someone Else, Seeds and BOXHEAD at Crow’s Theatre; The Patient Hour at Tarragon; Blue/Orange at Canadian Stage; Antigone and The Lesson at Soulpepper; and Hedda Gabler, The Glass Menagerie and Salt-Water Moon at the Saidye Bronfman Centre.

The Beaux’ Stratagem | By George Farquhar | Directed by Antoni Cimolino | Festival Theatre
#sfStratagem

Opening later in the season at the Festival Theatre is George Farquhar’s brilliant Restoration comedy The Beaux’ Stratagem, directed by Mr. Cimolino. It is the first Restoration comedy produced in Stratford since The Country Wife in 1995.

Written in 1707, The Beaux’ Stratagem follows the madly comic antics of two impoverished rakes, who, disguising their identities, arrive in the town of Lichfield seeking to restore their fortunes by wooing wealthy women. As the two connive to relieve ladies of their wealth, they must contend with a suspicious local innkeeper and his band of highwaymen, and with an acquaintance privy to their true identity.

“In The Beaux’ Stratagem, the necessity of coping with the realities of marriage and personal finance give way to a romp,” says Mr. Cimolino. “One of the last of the Restoration comedies, it was written by the amazing George Farquhar, who himself was dying and hoped the play would finance his family after his death. It is very funny and I look forward enormously to directing it.”

Hay Fever | By Noël Coward | Directed by Alisa Palmer | Avon Theatre
#sfHayFever

Alisa Palmer, Artistic Director of the National Theatre School English Section, makes her Festival debut at the Avon Theatre as the director of Noël Coward’s celebrated comedy Hay Fever.

As stylish as it is intoxicatingly absurd, Hay Fever introduces audiences to the Bliss family: a retired actress mother, novelist father and two children, all prone to their own outrageous eccentricities. The family’s self-absorbed antics astound and ultimately exasperate the various guests that each of them has invited to their country house for the weekend. Driven to distraction by a comic maelstrom of rousing fights, fevered flirtations and histrionic role-playing, the guests eventually flee, leaving the Blisses happily playing and bickering amongst themselves.

“This is one of the great opportunities for energetic comedy within the theme of madness,” says Mr. Cimolino. “Theatre is about taking ordinary situations and pushing them to the extreme – and what could be more delightful than experiencing this through the lives of a theatre family? These people pretend to have an interest in conventional living, in entertaining at their country property. But as we can see by the end, they really are in a world all their own. It’s as if they lived only on the stage – sheer madness!”

Ms Palmer is currently collaborating with Ann-Marie MacDonald and Torquil Campbell on a Festival commission to develop a musical reflection on Hamlet. An internationally award-winning director, playwright and producer, Ms Palmer has worked in a range of genres, including classics, contemporary plays, creation projects, musicals and operas. A former Artistic Director of Toronto’s Nightwood Theatre and long-time director at the Shaw Festival, Ms Palmer has directed across Canada, winning seven Dora Awards for her work, as well as two Chalmers Awards for her plays i.d. and A Play About the Mothers of Plaza de Mayo. Her Shaw credits include Pal Joey, The Philanderer, The Women, Belle Moral: A Natural History, Sunday in the Park with George and Diana of Dobson’s. Her other credits include The Children’s Republic and East of Berlin at Tarragon, Cloud 9 for Mirvish Productions, the acclaimed Top Girls at Soulpepper, and Mrs. Warren’s Profession and The Blonde, the Brunette and the Vengeful Redhead at the Royal Manitoba Theatre Centre.

Man of La Mancha | Music by Mitch Leigh | Lyrics by Joe Darion | Book by Dale Wasserman | Directed by Robert McQueen | Choreographed by Marc Kimelman | Avon Theatre
#sfLaMancha

Robert McQueen, whose work in musical theatre and opera has been recognized both nationally and internationally, will make his Stratford debut at the helm of Man of La Mancha, to be staged at the Avon Theatre.

Featuring the timeless anthem “The Impossible Dream,” Man of La Mancha follows the saga of the aging Miguel de Cervantes, playwright, poet and tax collector, who finds himself in a dungeon in Seville awaiting trial by the Inquisition for an offence against the Church. When his fellow prisoners try to confiscate his few possessions, including the uncompleted manuscript of his most famous work, the novel Don Quixote, Cervantes defends his masterpiece by proposing that he present it to them as a play. To this end, Cervantes and his manservant transform themselves into Don Quixote and his fiercely loyal servant, Sancho Panza, recruiting prisoners to take on the roles of other characters. What follows is the stirring tale of the mad Quixote and his obsessive quest to attain the impossible dream. It is the lunatic who sees most clearly in Man of La Mancha, as in King Lear.

Man of La Mancha is a beautiful contrast to Crazy for You,” says Mr. Cimolino. “The source material, Don Quixote, is from the Spanish Golden Age, and you can see that period’s theatrical influence on Shakespeare in the Romance plays. Man of La Mancha takes that source material and puts it through the lens of American musical theatre. It depicts a pure, chaste, romantic and mature love – love that elevates the beloved. It is an extraordinary musical because of the story and the characters. Despite dark content, it manages to be inspiring, making us question what is actually the saner choice: to live in filth and despair, or to pursue the romantic ideal.”

Mr. McQueen directed Caroline, or Change, the Acting Up Stage musical that took Toronto by storm in 2012. His recent work includes the direction and dramaturgy of the new musical theatre piece Where Elephants Weep, at the Cambodian Living Arts centre in Phnom Pehn, The Light in the Piazza and Strauss’s final opera, Capriccio, for Pacific Opera in Victoria. In 2009 he directed a Tokyo-based creative team and acting company in a Japanese-language production of Carousel at the Galaxy Theatre in Tokyo. For the Vancouver Opera he served as director and dramaturge for The Magic Flute. The project, for which he also adapted the libretto, was a collaboration with a 15-member creative team of Canadian aboriginal and non-native visual artists and theatre-makers. His other work includes directing La Bohème for the Canadian Opera Company and serving as associate director of the Broadway and national touring productions of Mamma Mia, as well as the direction of the Mexico City, Sao Paulo and Buenos Aires productions.

Alice Through the Looking-Glass | Adapted by James Reaney | Directed by Jillian Keiley | Avon Theatre
#sfAlice

Twenty years after its Stratford première, the Festival is pleased to present Lewis Carroll’s wildly inventive fantasy Alice Through the Looking-Glass, in an adaptation commissioned by the Festival from nationally renowned playwright and poet James Reaney, a native son of Stratford. So popular was the 1994 production that it was re-mounted in 1996 to the great delight of audiences of all ages.

Jillian Keiley, Artistic Director of English Theatre at the National Arts Centre, will bring her remarkable creative vision to the piece, to be staged at the Avon Theatre and produced in association with the National Arts Centre.

“The underlying material for Alice Through the Looking-Glass is, of course, iconic and examines a fantasy world filled with some of the greatest and most familiar nonsense verse,” says Mr. Cimolino. “The characters – the Walrus and the Carpenter, Tweedledum and Tweedledee, Humpty Dumpty and the Jabberwock – are the inhabitants of the farthest reaches of a child’s imagination.”

Deciding to explore the alternative world she sees inside her living-room mirror, Alice finds a place that in some aspects resembles her home yet differs from it in ways as delightful as they are surreal.

Ms Keiley won the 2004 Siminovitch Prize for her “startlingly original and radically imaginative” directing style, making her an ideal candidate to take on the sublime nonsense of both Lewis Carroll and James Reaney. She is also the recipient of the Canada Council’s John Hirsch Award. Her credits include Tempting Providence, which she created in collaboration with playwright Robert Chafe, and which, over a 10-year run, toured across Canada and abroad, as did Afterimage. She and Mr. Chafe, the co-founders of Newfoundland’s Artistic Fraud, also collaborated on Oil and Water, at Factory Theatre. Ms Keiley made a big splash with her first project as Artistic Director of the NAC, Metamorphoses, a play by Mary Zimmerman, which re-imagines 10 classical myths. Set around a giant swimming pool, this theatrical event allowed audiences to experience the consequences of humanity’s deepest desires. Ms Keiley’s Stratford connection dates back to 2008, when she was selected as a participant in the International Master Directors Summit.

Mother Courage | By Bertolt Brecht | Directed by Martha Henry | Tom Patterson Theatre
#sfCourage

Considered one of the greatest plays of the 20th century – and perhaps the greatest anti-war play of all time – Bertolt Brecht’s Mother Courage will be directed by one of the Festival’s most celebrated artists, Martha Henry, returning for a remarkable 40th season with the Stratford Festival in 2014. Ms Henry’s contributions to the Festival include the direction of numerous critically acclaimed productions, including this season’s Measure for Measure, 2009’s Three Sisters, 2007’s Of Mice and Men and 2002’s Elizabeth Rex.

Mother Courage was written in 1939 as a response to the Nazi invasion of Poland. Set in 17th-century Europe and spanning 12 years, the story follows Mother Courage as she struggles to make a living and to protect her three children during the Thirty Years’ War. By the end of the play, having lost everyone she loves and almost everything she owns, she has truly been driven to the edge – yet somehow she finds the will to carry on.

“Mother Courage presents a world in which the madness of war becomes not only day-to-day but something that the people can’t live without,” says Mr. Cimolino. “It represents profit. It represents the new normal. In that respect it is like our world today. As the characters cynically take advantage of the opportunities for commercial gain that the war provides, they lose anything of real worth, including their souls. They lose their children, they lose their freedom, they lose their self-respect and eventually they lose their lives.”

A Companion of the Order of Canada and a recipient of the Governor General’s Lifetime Achievement Award, Ms Henry boasts a career without parallel in this country. Her work opposite the great William Hutt was truly the stuff of dreams, beginning with her portrayal of Miranda to his Prospero and also including Mary to his James Tyrone in Long Day’s Journey into Night. Her Shakespearean roles include Titania, Lady Macduff, Helena, Luciana, Cressida, Viola, the Countess of Rossillion, Cymbeline’s Queen, Lady Anne, Queen Eleanor, Cordelia, Goneril, Rosaline, the Princess of France, Thaisa, Desdemona, Lady Macbeth, Queen Margaret, Isabella, Beatrice, Paulina and Volumnia. As Director of the Festival’s Birmingham Conservatory, Ms Henry is training a whole new generation of classical actors.

King John | By William Shakespeare | Directed by Tim Carroll | Tom Patterson Theatre
#sfKingJohn

King John, the story of a monarch trying desperately to maintain his grip on power, will be presented at the Tom Patterson Theatre in a production directed by Tim Carroll.

King John looks at a mind driven by the dangerous combination of ambition and insecurity,” says Mr. Cimolino. “John commits horrible acts to secure a position he rightly holds. There is a wonderful range of characters in this play who navigate, with varying degrees of success, the pressures of politics, ambition, legitimacy and loss. From Hubert the mercenary, asked to commit an atrocity, to Constance, who wishes she were mad to escape the pain of her child’s murder, it is the Bastard (a very different bastard from Edmund in King Lear) who comes through the play with the most honour and integrity.”

Tim Carroll, who this season gave audiences the opportunity to see a Romeo and Juliet as Shakespeare might have presented it at the Globe Theatre, will transport audiences to the Blackfriars Theatre in a candlelit production of King John.

Mr. Carroll, former Associate Director of Shakespeare’s Globe in London, directed a sold-out production of Twelfth Night, starring Mark Rylance, which transferred from the Globe to London’s West End, garnering four Olivier nominations this year, and which will open on Broadway in the fall. Mr. Carroll is one of the world’s most respected directors of Shakespeare. His Globe credits also include Macbeth, Romeo and Juliet, The Two Noble Kinsmen, The Tempest and The Golden Ass. For the RSC he directed The Merchant of Venice and A Midsummer Night’s Dream. His international credits include Fair Ladies at a Game of Poem Cards, The Duchess of Malfi and Victory for the Barka Theatre in Budapest; All’s Well That Ends Well for the National Theatre in Craiova, Romania; Amadeus for the National Theatre in Portugal; and A Midsummer Night’s Dream for the Sydney Opera House. He is a founding member of The Factory, in London, for which he directed three theatre experiments: Hamlet, The Seagull and The Odyssey. Mr. Carroll made his Stratford debut as director of the wildly popular Peter Pan in 2010.

Antony and Cleopatra | By William Shakespeare | Directed by Gary Griffin | Tom Patterson Theatre
#sfAntony

Gary Griffin, Associate Artistic Director of the Chicago Shakespeare Theater, will return for a fifth season to direct Antony and Cleopatra at the Tom Patterson Theatre.

The play, produced just four times before at Stratford, follows the relationship of Cleopatra, Queen of Egypt, with Mark Antony, who, having defeated Brutus and Cassius, the assassins of Julius Caesar, is now one of the three rulers of the Roman republic. Criticized for neglecting his political and military responsibilities – and his wife in Rome – as he dallies in Alexandria with Cleopatra, Antony attempts to break free of Cleopatra’s spell, and returns to Rome to help crush an incipient rebellion. Once there, his wife having died, he agrees to a political marriage, enraging Cleopatra. But Antony cannot long endure his separation from the bewitching Egyptian queen: when war breaks out, he abandons his new wife and returns to Egypt, a choice that leads to his own and Cleopatra’s tragic ends.

Antony and Cleopatra examines older love and the pressures of being madly in love when you know better,” says Mr. Cimolino. “This play has some of the most incredibly lyrical and intense love poetry ever written, along with beautiful observations on life that speak to us today, in a world where second and third marriages have never been more common.”

Mr. Griffin has a string of hit productions to his credit at Stratford, including 42nd Street, Camelot, Evita and West Side Story. He won an Olivier Award for outstanding musical for his production of Pacific Overtures at the Donmar Warehouse in London. On Broadway, he was the director of Oprah Winfrey’s production of The Color Purple and of The Apple Tree. His Off-Broadway credits include Music in the Air, A Tree Grows in Brooklyn, Pardon My English and The New Moon for City Center Encores!, Saved at Playwrights Horizons; and Beautiful Thing at the Cherry Lane. He has won numerous awards for his work at Chicago Shakespeare, where his credits include Amadeus, Passion, A Flea in Her Ear, A Little Night Music, Sunday in the Park with George and Pacific Overtures.

Christina, The Girl King | By Michel Marc Bouchard | Translated by Linda Gaboriau | Directed by Vanessa Porteous | Studio Theatre
#sfChristina

The Festival is delighted to present Linda Gaboriau’s translation of Michel Marc Bouchard’s Christina, The Girl King. Written by one of Quebec’s most celebrated playwrights, the play will make its English-language première at the Studio Theatre, directed by Vanessa Porteous, Artistic Director of Alberta Theatre Projects.

Commissioned as a translation by the Festival in 2010, the play is the story of Christina of Sweden, an extraordinarily modern character who was born just 10 years after Shakespeare’s death. Hers is a story of bringing sanity to an insane world. The enigmatic ruler showed a passion for philosophy, literature and the arts but her lifestyle and refusal to marry proved sources of great concern at court. Rather than bow to pressure to conform to the expectations of others, the 26-year-old queen abdicates in order to be free to pursue her own aspirations. Is this an act of madness? Or is Christina’s the story of a modern woman born out of her time – one whom the 17th century simply couldn’t contain?

“Michel Marc Bouchard has such a great gift for helping us understand the situation of the person who does not fit in,” says Mr. Cimolino. “In Christina, The Girl King, he has beautifully brought to life the story of a historical figure who had the courage to step outside of the society that attempted to bind her in. As the daughter of a Protestant warrior king – himself one of the driving forces of the Thirty Years’ War depicted in Mother Courage – she was expected to get married, have children and adhere to the spartan values of the Swedish nation as it was then. Instead she introduced foreign, and then radical scientific and philosophical ideas, and strained to remain unmarried and independent.

“Bouchard examines the pressures inherent in her sexual and personal self-discovery in a highly compelling play. The pressures in her life push her to the edge. Rather than give over to madness, which would be the only outcome of staying on as queen, she leaves her throne and her country, moving to Rome where she is free to live outside of marriage as a patron of the arts.”

Ms Porteous makes her Festival debut with this production.

A Midsummer Night’s Dream | By William Shakespeare | A Chamber Play Directed by Peter Sellars
#sfChamber

Peter Sellars, renowned for his transformative interpretations of artistic masterpieces, comes to the Festival for the first time to stage his reimagined version of A Midsummer Night’s Dream. With a cast of four actors playing all of the roles, this staging will offer an intensely focused approach to Shakespeare’s examination of the role-playing, mercurial mood swings, delusional fantasy, deep hurt, and forgiveness and release at the heart of human relationships.

“What is extraordinary about Stratford is not that we do 12 plays in one year, but that we do them all at the same time, giving theatre-goers an opportunity to experience one play in light of another. Next season, for the first time ever, we will offer a chance for audiences to experience the same title in two very different productions, along with further opportunities for exploration in The Forum,” says Mr. Cimolino.

“I look forward to welcoming Peter to the Stratford Festival,” he adds. “I have greatly enjoyed his work in opera and Shakespeare for its beauty, vulnerability and intelligence. When Peter spoke to me about his ideas for Dream, I sensed an opportunity to create not only an exploration but a celebration of this great play.”

Mr. Sellars has worked with an extraordinary range of creative artists over the past three decades. His landmark staging of Sophocles’ Ajax, set at the Pentagon, was invited to tour Europe and ignited his international career. Other noteworthy theatre projects include a 1994 staging of Shakespeare’s The Merchant of Venice set in southern California with a cast of black, white, Latino and Asian-American actors; a production of Euripides’ The Children of Herakles, focusing on contemporary immigration and refugee issues and experience; and, in 2009, Othello, inspired by and set in the America of newly elected President Barack Obama. Desdemona, Sellars’s recent collaboration with the Nobel Prize-winning novelist Toni Morrison and Malian composer and singer Rokia Traore, has been performed in Vienna, Brussels, Paris, Berkeley, New York, Berlin, Amsterdam and Naples, and was presented in London as part of the 2012 Cultural Olympiad.

Tickets for the 2014 season of the Stratford Festival go on sale to Members on November 11, 2013, and to the general public on January 4, 2014, with a special advance sale on Facebook beginning January 2.

-30-

PHOTOGRAPHY: www.stratfordfestival.ca/imagegallery

 2014 Playbill Post 2

Advertisements

Festival officially launches 60th season on Monday

May 25, 2012… The Stratford Shakespeare Festival launches its 60th season on Monday, May 28, with a gala performance of Much Ado About Nothing. This is the final season under the artistic directorship of Des McAnuff, and one that promises an array of wonderful theatre for every taste and age group.

“The 60th season is representative of Stratford in all its glory,” says Mr. McAnuff, who is directing Henry V and Christopher Plummer’s A Word or Two, both of which open later in the season. “Embodying Stratford’s hallmark marriage of tradition and innovation, the Cplaybill ranges from the very roots of drama to some of the finest playwrights working in Canada today. Shakespearean comedy, history and romance are complemented by a hilarious contemporary pastiche of Shakespearean tragedy, while the season’s varied musical theatre repertoire acknowledges our own era’s great contribution to the western dramatic tradition. Meanwhile, the strength of our acting company is being showcased not only in Stratford but also on Broadway, with the Tony-nominated Jesus Christ Superstar.”

“As we celebrate our Festival’s 60th season, the glorious heritage of our past provides us with a clear signpost to the way ahead,” says General Director Antoni Cimolino. “Our pioneering artists and those who supported them sought to create in Stratford nothing less than the finest classical theatre in the world. Thanks to their vision and determination, the adventure that began in 1953 with two productions in a tent is now North America’s premier repertory theatre, featuring 14 productions in five venues. That same spirit drives us today as we explore the classics of the past and give birth to the classics of the future.”

Much Ado About Nothing is directed by Christopher Newton, who was a member of the Festival’s acting company from 1966 to 1968. It features Ben Carlson as Benedick and Deborah Hay as Beatrice.

Five other productions will open during the week: 42nd Street, directed by Gary Griffin and featuring Sean Arbuckle as Julian Marsh, Kyle Blair as Billy Lawlor, Cynthia Dale as Dorothy Brock, and Jennifer Rider-Shaw as Peggy Sawyer; You’re a Good Man, Charlie Brown, directed by Donna Feore, featuring Stephen Patterson as Snoopy, Erica Peck as Lucy and Ken James Stewart as Charlie Brown; Cymbeline, directed by Antoni Cimolino, featuring Graham Abbey as Posthumus, Tom McCamus as Iachimo, Cara Ricketts as Innogen, and Geraint Wyn Davies as Cymbeline; The Pirates of Penzance, directed by Ethan McSweeny, featuring Sean Arbuckle as the Pirate King, Kyle Blair as Frederic, C. David Johnson as the Major General, and Amy Wallis as Mabel Stanley; and The Matchmaker, directed by Chris Abraham, featuring Tom McCamus as Horace Vandergelder and Seana McKenna as Dolly Levi.

The 60th season will feature a number of special events, including Christopher Plummer’s one-man show A Word or Two, which will run from July 25 to August 26. Most Rare Visions: 60 Years of the Stratford Shakespeare Festival is an exhibition of Festival artifacts, including rare footage of our pioneers, at a new space kitty-corner to the Avon Theatre, at 104 Downie Street. A symposium, Interpreting Shakespeare Across Settings and Media, featuring Colm Feore, Norman Lloyd, Dr. Katherine Lowe and the Festival’s Director of Archives, Dr. Francesca Marini, will be held on June 2. A dramatic reading of Edward Bond’s Bingo, about an aging William Shakespeare, will be held on June 15, with the playwright on hand for a Q&A with the audience. Lucy Peacock will hold a number of cabarets – Late Night with Lucy – in the new Studio Annex, in July and August, featuring music and conversation. The Celebrated Writers Series returns with Stephen Marche, author of How Shakespeare Changed Everything; Richard McCoy, author of Faith in Shakespeare; Michael Ondaatje, author of The Cat’s Table; and Margaret Atwood, author of In Other Worlds. Master voice and Shakespeare teacher Patsy Rodenberg will present three special events from July 18 to 22, to mark 60 years of the Festival’s extensive actor training activities. The Festival will launch a special 60th season book on June 2, Stratford: Behind the Scenes, which will available through the Theatre Store. These special events are all in addition to the Festival’s usual enrichment activities.

The Stratford Shakespeare Festival’s 2012 season runs until October 28, featuring Much Ado About Nothing; 42nd Street; The Matchmaker; Henry V; You’re A Good Man, Charlie Brown; The Pirates of Penzance; A Word or Two; Cymbeline; Wanderlust; Elektra; MacHomer; The Best Brothers; Hirsch and The War of 1812.

Opening Week Itinerary

Sunday, May 27
Garden Party
1:30 p.m. to 3:30 p.m. Festival Theatre lobby and gardens

Monday, May 28
Gala Opening of Much Ado About Nothing
Festival Theatre, 55 Queen Street, Stratford
6:30 p.m. Pipe Band parades to front of theatre and performs
7:00 p.m. Red Carpet arrivals
7:30 p.m. Performance of Much Ado About Nothing begins
10:10 p.m. Performance concludes

Tuesday, May 29
11:30 a.m. Book Launch – Festival Lobby
The Adventures of Adrian and Tiddlywinks by the late John Sullivan Hayes, former Producer of the Stratford Shakespeare Festival
Opening of 42nd Street
Festival Theatre
8:00 p.m. Performance begins
10:20 p.m. Performance concludes

Wednesday, May 30
Opening of You’re a Good Man, Charlie Brown
8 p.m. Avon Theatre
9:55 p.m. Performance concludes

Thursday, May 31
Opening of Cymbeline
8 p.m. Tom Patterson Theatre
11 p.m. Performance concludes

Friday, June 1
Opening of The Pirates of Penzance
8 p.m. Avon Theatre
10:35 p.m. Performance concludes

Saturday, June 2
10 a.m. to 1 p.m., Symposium, Studio Theatre (please contact Andrea Smitko to reserve tickets)
1:00 to 1:45 p.m. Book Launch – Stratford: Behind the Scenes. Rehearsal Hall 3, Studio Theatre.
Opening of The Matchmaker
8 p.m. Festival Theatre
10:40 p.m. Performance concludes

-30-

Energizing tap musical 42nd Street starts previews | Cynthia Dale returns to the Festival with a sizzling performance

April 12, 2012… The inspiring story of a small-town girl chasing her dream in the big city is told through exhilarating tap dance numbers in the hit musical 42nd Street. Featuring Cynthia Dale and directed by Gary Griffin, this production begins previews at the Festival Theatre on Thursday, April 12.

The quintessential backstage musical, 42nd Street tells the story of Peggy Sawyer, a young girl from Allentown, Pennsylvania, who travels to New York City with the dream of becoming a Broadway dancer. To her delight she lands a part in the chorus of the new musical Pretty Lady, but when the show’s star is injured, Peggy is offered the chance of a lifetime.

“Based on the 1933 movie, 42nd Street reflects an era when the marriage of popular music and the theatre achieved unprecedented heights,” says Artistic Director Des McAnuff. “This show is a masterpiece of its kind: a song-and-dance spectacle that tells a tremendously inspiring story. In the hands of Gary Griffin, who has become a master of the Festival stage, it’s a dazzling highlight of our 60th season.”

“This is a classic and touching story that resonates with all of us,” says General Director Antoni Cimolino. “With the return of Cynthia Dale, Gary Griffin’s directorial leadership and the invigorating tap dancing numbers, this production will be an uplifting, wildly entertaining theatrical experience for theatre lovers of all ages.”

Set during the Great Depression, this piece shows how the hopeful innocence and will of one person can provide inspiration for all in the most challenging and difficult of times.

“This is a story about reawakening your dreams,” says Mr. Griffin. “Most of the characters have become jaded in one way or another. Their dreams have been jaundiced by the Depression, by disappointment, by failure. And then along comes Peggy Sawyer, this little light, who has a very simple dream: she wants to dance on Broadway. All of a sudden this girl has a very pure view that really reinvigorates everyone.”

The production features Sean Arbuckle as Julian Marsh, the director of Pretty Lady; Kyle Blair as Billy Lawlor, Pretty Lady’s lead male; and Cynthia Dale as Dorothy Brock, the show’s star and resident Broadway diva. Jennifer Rider-Shaw plays Peggy Sawyer, after two previous seasons at Stratford performing in Jesus Christ Superstar, Camelot, Kiss Me, Kate and Evita.

Other cast members include Naomi Costain as Annie “Anytime” Reilly, Kyle Golemba as Andy Lee, C. David Johnson as Pat Denning, Gabrielle Jones as Maggie Jones and Geoffrey Tyler as Bert Barry.

With music by Harry Warren, lyrics by Al Dubin, and book by Michael Stewart and Mark Bramble, this production boasts a rich and exciting score straight out of the big-band era, and features a 16-piece orchestra that, for the first time in Festival history, is positioned on stage in full view of the audience.

“This musical has a brash energy that befits its subject matter, and because of that I didn’t want the music to come through a sophisticated sound system from an invisible source up in the orchestra loft,” says Mr. Griffin. “I wanted the audience to see and feel the presence of the musicians. That’s why we’ve put the entire orchestra on stage. It was important to me to put the musicians into the world of the play.”

Artistic credits for this production include Alex Sanchez as choreographer and Michael Barber as musical director.

Other credits include Debra Hanson, designer, Paul Miller, lighting designer and Peter McBoyle, sound designer. Kerry Gage is the associate choreographer, Franklin Brasz is the associate conductor and Simon Fon is the stunt coordinator.

Production support for 42nd Street is provided by The Dominion of Canada General Insurance Company and Union Gas Limited.

This year, the Stratford Shakespeare Festival celebrates its 60th season, with 14 productions presented from April 12 to October 28:  Much Ado About Nothing42nd StreetThe MatchmakerHenry VYou’re a Good Man, Charlie BrownThe Pirates of PenzanceA Word or TwoCymbelineWanderlustElektraMacHomerThe Best BrothersHirsch; and The War of 1812.

Cast

-30-

42 reasons to see 42nd Street

By: Christi Rutledge

We asked our fans why they were excited to see 42nd Street this season and they came up with a huge list of reasons!  Here are 41 responses that we collected… and a very special 42nd reason!

  1. The fabulous Cynthia Dale as Dorothy Brock!
  2. Tap dancing, done by the Festival company
  3. An upbeat musical score
  4. To “hear the beat of dancing feet”
  5. Kyle Blair as Billy Lawlor
  6. “A great orchestra! Seriously, most of the time this show is done, the band is cut down to a combo.  Festival goers will get to hear the score in all its big band glory!”
  7. Sean Arbuckle’s “sparkle” as Julian Marsh
  8. The 42nd Street marquee sign
  9. Seeing orchestra members – onstage!
  10. The 72 larger-than-life silver coins that will rain all over the stage
  11. 1934-inspired costuming
  12. Gary Griffin, who directed CamelotEvita and West Side Story at the Festival, will be also be directing 42nd Street
  13. This amazing sculpted eagle!
  14. Sparkly underwear
  15. The amazing behind-the-scenes process of creating the set – and awesome technology like miked stage floors!
  16. A production worth celebrating as part of our 60th season!
  17. Jennifer Ryder-Shaw as newcomer Peggy Sawyer!
  18. Cynthia Dale and C. David Johnson working together again – from Street Legal to 42nd Street
  19.  Classic lines like “You’re going out there a youngster, but you’ve got to come back a star!”
  20. Naomi Costain as Anytime Annie
  21. Set created by the amazing Debra Hanson – a true master of the Festival stage!
  22. This will be the first time that 42nd Street will be produced at the Festival
  23. It’s a play within a play – two productions for the price of one!
  24. Classic Broadway tunes likes “Lullaby of Broadway”
  25. A portrait created by Kevin Kemp for Pretty Lady
  26. Footlights concealing audio speakers
  27. Geoffrey Tyler as Bert Barry
  28. Amazing use of colour
  29. “There’s a Sunny Side to Every Situation”
  30. If you’re in the front row, expect to be up close and personal with the actors – the stage has been extended and the actors will be tapping around the edge of the stage!
  31. A 10-foot balcony!
  32. Stage floor inspired by oldHollywood
  33. “We’re in the money!”
  34. Past productions of 42nd Street have won Drama Desk Awards, a Theatre World Award, a Tony Award, a Laurence Olivier Award… and more!
  35. “You’re Getting to Be a Habit with Me,” sung by Cynthia Dale
  36. The music of Harry Warren and the lyrics of Al Dubin –  awesome combo!
  37. Festival favourite Steve Ross as Abner
  38. Classic tale of a small-town girl who moves to the city to make it big
  39. There’s not a bad seat in the house – you’ll have a great view from every angle
  40.  Lighting and Sound by designers Paul Miller and Peter McBoyle
  41. Kyle Golemba as Andy Lee
  42. $42 tickets for A, B and C seating for April performances of 42nd Street!* This awesome deal is only available until Sunday night at 11:59 p.m.  Log in to our website now using promotion code 42917 to get the best available seats!

Do you have any more reasons to add to the list?  Leave them in the comment box below!

*Offer may expire without notice. Not valid on MMP performances (April 14, 2012) or in conjunction with any other promotion. Tickets are only available on A, B and C seating zones for April performances of 42nd Street.

Photo credits: Cynthia Dale, Kyle Blair (far right). Also pictured: Sarah Afful, Carla Bennett, Rachel Crowther, Monique Lund Andrew Eccles photo

C. David Johnson returns for major roles in Pirates, 42nd Street | Jennifer Rider-Shaw to play Peggy Sawyer in 42nd Street

January 23, 2012… The Stratford Shakespeare Festival is pleased to announce that C. David Johnson, currently starring on Broadway in Priscilla Queen of the Desert, will return to the Festival for the 60th season.

Mr. Johnson was last seen at Stratford in 2001, when he played Captain von Trapp in The Sound of Music opposite Cynthia Dale’s Maria. The two, who also starred as lovers on the popular CBC TV series Street Legal from 1987 to 1994, will be reunited in 42nd Street, as Pat Denning and Dorothy Brock.

Mr. Johnson will also play Major-General Stanley in The Pirates of Penzance.

In his 30-year career, which began at Theatre New Brunswick, Mr. Johnson has appeared in numerous television series and on stages throughout Canada, including as Patrick Flanagan in Jitters, and Davison in Mary Stuart at Soulpepper; George Love in Tryst at the Segal Centre; and Helmut Schmidt in Democracy at Tarragon. He first appeared at Stratford in 1984, playing Speed in The Two Gentlemen of Verona and Poins in Henry IV, Part I. He is currently playing Bob in the Broadway production of Priscilla Queen of the Desert.

Mr. Johnson will be joined in 42nd Street by Jennifer Rider-Shaw, who will play Peggy Sawyer. Ms Rider-Shaw made her Stratford debut in 2010, appearing in Kiss Me, Kate and Evita, followed by Jesus Christ Superstar and Camelot last season. A graduate of Sheridan’s music theatre performance program, Ms Rider-Shaw was a contestant on CBC’s Triple Sensation, for which Cynthia Dale was a judge. She has also appeared in Ross Petty’s Robin Hood, Drayton Entertainment’s The Wizard of Oz, and Buddy: The Buddy Holly Story at Theatre Aquarius.

As previously announced, 42nd Street – directed by Gary Griffin – will also feature Sean Arbuckle as Julian Marsh and Kyle Blair as Billy Lawlor, with Naomi Costain as Anytime Annie, Kyle Golemba as Andy Lee, Gabrielle Jones as Maggie, and Geoffrey Tyler as Bert Barry.

The Pirates of Penzance – directed by Ethan McSweeny – will also feature Sean Arbuckle as the Pirate King, Kyle Blair as Frederic and Amy Wallis as Mabel Stanley, with Gabrielle Jones as Ruth and Steve Ross as the Sergeant of Police, as previously announced.

Production co-sponsors for 42nd Street are The Dominion of Canada General Insurance Company and Union Gas.

Production co-sponsor for The Pirates of Penzance is RBC. Production support is generously provided by Dr. Dennis and Dorothea Hacker.

Support for the 2012 season has been provided by the Canada Council, the Ontario Cultural Attractions Fund and the Ontario Arts Council.

Tickets are now on sale for the Stratford Shakespeare Festival’s 2012 season, which features 14 productions presented from April 12 to October 28: Much Ado About Nothing; 42nd Street; The Matchmaker; Henry V; You’re a Good Man, Charlie Brown; The Pirates of Penzance; A Word or Two; Cymbeline; Wanderlust; Elektra; MacHomer; The Best Brothers; Hirsch; and The War of 1812. For more information and to purchase tickets, visit stratfordshakespearefestival.com or call 1.800.567.1600.

-30-

Get ready for the 2012 season!

By Christi Rutledge

Well, we officially wrapped up the 2011 season last weekend with the closing of Jesus Christ Superstar at the Stratford Shakespeare Festival. It has been an absolutely fabulous season – and as sad as I am to see it close, I can’t help but get excited about 2012! We have a spectacular line-up to celebrate our 60th season of world-class theatre. Take a tour with me as we explore what’s being offered on our five (!) stages next year.

The Festival Theatre will host four productions: Henry V, Much Ado About Nothing, 42nd Street and The Matchmaker. Henry V will return to the Festival stage for the first time in 11 years. Directed by Des McAnuff, this production will no doubt be spectacular and have lots to say about war, leadership and friendship. Expect to see a familiar face on stage as Aaron Krohn, who played Lenny in The Homecoming this year, takes on the title role. Mr. Krohn is joining the ranks of some luminous actors – the part of Henry V was first performed at the Festival by a man named Christopher Plummer.

Much Ado About Nothing is high comedy perfection – and with a cast featuring Ben Carlson and Deborah Hay as Benedick and Beatrice, it will be impossible for anyone to resist this performance. Expect to see a Brazilian flare to this witty comedy directed by Christopher Newton, former Artistic Director of the Shaw Festival.

The Festival is also extremely excited to welcome back Cynthia Dale, who will play Dorothy Brock in Gary Griffin’s production of 42nd Street. This smash Broadway hit tells the classic story of a small town girl moving to the big city to make a name for herself. And it’s full of sensational tap dancing!

And last, but certainly not least, the Festival stage will feature The Matchmaker– Thornton Wilder’s story of a wealthy merchant named Horace Vandergelder (played by Tom McCamus) who searches for a wife with the help of his matchmaker, Dolly Levi (Seana McKenna). This production will be directed by Chris Abraham, who brought you The Little Years (2011) and For the Pleasure of Seeing Her Again (2010).

Over at the Avon Theatre, the greatly anticipated return of Gilbert and Sullivan has finally come with Ethan McSweeny’s staging of The Pirates of Penzance. The theatre will also house a one-hander called A Word or Two, written and performed by the legendary Christopher Plummer and directed by Des McAnuff. And there will be a production that appeals to the child in everyone – You’re a Good Man, Charlie Brown.

It is always exciting for us at the theatre and for our patrons when we get to put on a show as magical as Pirates. It’s one of the first plays that my brother saw as a child here at the Festival, and I remember him coming home from his school trip in 1994 and telling me how fascinated he was by it. Filled with wit and with cherished musical numbers, this is a great play for children and adults alike.

A Word or Two will no doubt be difficult to get tickets to, so the sooner you order yours, the better. You won’t want to miss seeing Mr. Plummer back on our stage to offer an intimate look at his life-long love of literature. And Donna Feore’s production of You’re a Good Man, Charlie Brown – presented for the first time at the Festival thanks to Schulich Children’s Plays – will be another heart-warming show to bring the family to. For all the baby-boomers out there, it also offers a chance to revisit a beloved childhood icon.

My favourite theatre, the Tom Patterson, will feature three productions next year: Cymbeline, Wanderlust and Elektra. I am particularly excited for this set of shows!

Cymbeline will be directed by Antoni Cimolino. After falling in love with The Grapes of Wrath this season, I can hardly wait to see how he interprets this fantastic Shakespearean romance.

Another show to get excited about is Wanderlust, a new Canadian musical by Morris Panych and Marek Norman. Wanderlust is a fictional story about the adventures of Robert Service, the great Bard of theYukon, as he grapples with his love for his co-worker Louise, who is engaged to a forbidding man. With songs based on Service’s poetry and Tom Rooney playing the lead (as well as Lucy Peacock playing his landlady, Mrs. Munsch!), this piece had me at “hello.”

Lastly, let’s take a look at Elektra – a play that should be on everyone’s must-see list for the 2012 season. This classic Greek tragedy will be led by the fabulous Yanna McIntosh in the title role, along with Seana McKenna as Clytemestra. Athenian director Thomas Moschopoulos will be making his Festival debut with this production; you may know him as the artist behind the Olympic closing ceremony in Athens in 2004.

The Studio Theatre is home to three productions in our 60th season: MacHomer, The Best Brothers and Hirsch. Rick Millers’ MacHomer, directed by Sean Lynch, reimagines Shakespeare’s Macbeth through the voices of more than fifty characters from The Simpsons. If you’re dying to see this hilarious production, make sure to book tickets soon – it’s only running through the month of May!

Daniel MacIvor’s The Best Brothers is another new Canadian play that we’re excited to feature in its world première. Associate Artistic Director Dean Gabourie helms this two-man show, in which Mr. MacIvor will star. It’s about two brothers, Hamilton and Kyle Best. Upon the unexpected death of their mother, Hamilton and Kyle mourn in very different ways, leading them to some profound realizations about each other and the woman who raised them.

The last play that we’ll be showing on the Studio stage is Hirsch, a play chronicling the life of John Hirsch, former Artistic Director of the Festival. Mr. Hirsch was orphaned at a young age by the Holocaust, but survived and eventually moved to Canada, where his fierce talent and stormy temperament won him acclaim in the theatre. It’s a gripping play, created and conceived by two celebrated Canadian theatre makers: Alon Nashman and Paul Thompson.

One final production, I promise, and then I’m done!

Next year we will be hosting special guest ensemble VideoCabaret in a brand new theatre space. The Studio Theatre Annex will be accessible through the Studio Theatre and will feature The War of 1812, a satirical examination of Canada’s past from Michael Hollingsworth’s series The History of the Village of the Small Huts.

PHEW – I got through them all! I am so excited to share more about our 2012 productions and hope that you find a great selection of shows to come see during our 60th season.

Any shows that you’re already looking forward to? Share your thoughts on our 2012 season!

 

 

Camelot – A Place for us All

By Aaron Kropf

We all grew up wanting to being princesses or kings or knights because the mythical world of places like Camelot invoke excitement and wonder. So, we put on our crowns or mount our horses (for many of us boys riding our dog was the equivalent of a great stallion) with grab our swords and venture into the wonderful world of our imaginations. Sometimes as we get older we forget about our adventures as knights, kings, queens and princesses until a show like Camelot is mounted and we see it, if for no other reason than, to awaken our sense of adventure.

Gary Griffin (director) and his wonderful cast (lead by Gerain Wyn Davies, Kaylee Harwood, and Jonathan Winsby) draw us into the world that we left behind as children in this season’s production of Camelot. The story is older than any of us, harkening us to a place that was perhaps better than what it is today because it was simpler and perfect.

The beauty of this world and all has to offer has been captured so well by set designer (Debra Hanson) and costume designer (Mara Blumenfeld). The finest example of Camelot’s beauty can be seen in one of the productions big musical numbers The Lusty Month of May:

If seeing Camelot on stage isn’t enough to get you excited we have a huge celebration happening on the street in front of the Avon Theatre Sunday October 2 as part of Culture Days. A Fayre Day in Camelot happens from 10am to 4pm featuring sword fights, live music, face painting, hawk demonstration, costume try-ons and so much more. Don’t miss out on this one day event to celebrate the arts in Stratford and Canada in general.

Finally, to entice you a little more to come to Camelot we are offering you (our blog readers) $29 tickets to the show. Come see Camelot Oct. 7, 8, 12, 13, 16, 21, 23, 29 or 30 for $29 per ticket plus tax in the A, B, C sections of the theatre. To get your tickets login and use promotion code 40863 or follow this link. Don’t miss out on this lively show, and relive you childhood and who knows, when you leave the theatre you just might be ready to head out and slay a dragon.