Press Release | Stratford Festival unveils 2014 season | Madness: Minds Pushed to the Edge

August 20, 2013… Artistic Director Antoni Cimolino is delighted to announce the 2014 season, in which, through the prism of a dozen plays, the Stratford Festival will explore the theme of Madness: Minds Pushed to the Edge.

“What excites me about this playbill is it contains plays in which the protagonists are driven to extraordinary places,” says Mr. Cimolino. “Extreme stakes lead to great drama.”

“These plays explore minds that are driven out of balance by a variety of forces: love, war, poverty, age, sexuality. In today’s fast-paced global community, we are becoming ever more acutely aware of the consequences of such pressures. The issues behind them are interesting in themselves, but what they do to the human mind – to us – is ultimately the most fascinating thing. When the pressures of life become great enough, our minds give way to other realities. The result is often heartbreakingly tragic, but can also be a trigger for comedy.”

The season coincides with the 450th anniversary of the birth of William Shakespeare, and to mark that occasion, Mr. Cimolino has programmed five Shakespeare productions, including two versions of A Midsummer Night’s Dream, a play that revolves around the madness of young love.

“For the first time in our history, we will examine a Shakespeare play in two different productions within the same season,” says Mr. Cimolino. “The first will be directed by one of Canada’s most exciting young directors, Chris Abraham; the second by one of the most highly regarded, internationally acclaimed directors of Shakespeare, Peter Sellars: two very different approaches to Shakespeare’s text.”

The season will also feature King Lear; Antony and Cleopatra; King John; The Beaux’ Stratagem; Mother Courage; Hay Fever; Alice Through the Looking-Glass; Christina, The Girl King; and the musicals Crazy for You and Man of La Mancha.

“I’m very excited about the creative teams who’ll be working on this season with me,” says Mr. Cimolino. “In addition to Chris and Peter, our lineup of directors includes the great Martha Henry and others whose work has captivated Festival audiences in recent seasons: Donna Feore, Tim Carroll and Gary Griffin. I’m also looking forward tremendously to the Stratford debuts of artistic leaders from other major Canadian cultural institutions – Jillian Keiley from the National Arts Centre, Alisa Palmer from the National Theatre School and Vanessa Porteous from Alberta Theatre Projects – as well as Robert McQueen, whose work in opera and musical theatre has been acclaimed internationally.”

King Lear | By William Shakespeare | Directed by Antoni Cimolino | Festival Theatre #sfKingLear

The season will open at the Festival Theatre with the Shakespearean masterpiece King Lear, directed by Mr. Cimolino, whose sold-out production of Mary Stuart has been the runaway hit of 2013.

King Lear is the ultimate example of a mind pushed to the edge. When the aging king decides to divide his kingdom among his three daughters, requiring each in turn to publicly profess how much she loves him, he sets in motion a train of events that will rob him of his home, his status and his sanity – everything except the honest love and loyalty of his youngest daughter, Cordelia. Meanwhile, the Earl of Gloucester is falsely persuaded by his illegitimate son, Edmund, that his other son, Edgar, is conspiring against him. Both these fathers pay for their misjudgements by being driven to the very limits of human endurance.

King Lear speaks to the simple, naked humanity shared by everyone from a monarch to the poorest of the poor,” says Mr. Cimolino. “It’s from that essential humanity, not the trappings of wealth or power, that we claim our right to exist. After Lear loses everything, he finds that he is no longer who he thought he was. This loss is a liberation. In his subsequent madness he sees his own folly, awakens to empathy and discovers his soul.”

Like Mary Stuart this season, Mr. Cimolino’s 2012 production of Cymbeline caught the public’s imagination, and was twice extended to meet demand for tickets. His production of The Merchant of Venice opened last week to unanimous acclaim. Mr. Cimolino’s other Shakespeare credits at Stratford include Coriolanus with Colm Feore and Martha Henry in 2006, As You Like It with Graham Abbey, Stephen Ouimette and Sara Topham in 2005, King John with Peter Donaldson and Stephen Ouimette in 2004, Love’s Labour’s Lost with Graham Abbey and Brian Bedford in 2003 and Twelfth Night with Domini Blythe, Peter Donaldson and William Hutt in 2001.

Crazy for You | Music by George Gershwin | Lyrics by Ira Gershwin | Book by Ken Ludwig | Directed and Choreographed by Donna Feore | Festival Theatre
#sfCrazy

Never before produced by the Festival, Crazy for You will be directed and choreographed at the Festival Theatre by Donna Feore, the force behind a growing list of hit musicals at the Festival, including one of this season’s hottest tickets, Fiddler on the Roof, as well as 2012’s You’re a Good Man, Charlie Brown, 2007’s Oklahoma! and 2006’s Oliver!

Set in the 1930s, Crazy for You is the story of Bobby Child, the scion of a wealthy banking family, whose dream in life is to be a Broadway dancer. Sent by his mother to foreclose on a struggling theatre, he faces a dilemma when he falls in love with a local girl whose affections he will lose if he carries out his mother’s commission. His solution: put on a show and pay off the theatre’s mortgage.

This high-energy romantic comedy – replete with mistaken identities, plot twists and stunning dance numbers – is packed with beloved Gershwin songs, including “I Got Rhythm,” “They Can’t Take That Away from Me,” “Nice Work if You Can Get It,” “Embraceable You” and “Someone to Watch Over Me.”

Crazy for You presents a joyous view of love and madness,” says Mr. Cimolino. “But the story is secondary to the powerful force of the Gershwins’ music. The bedrock of their work is the music of the Russian and Ukrainian steppes, which led the brothers to write brilliant, entertaining, lively music, with an energy and madness of its own. It is the music of adversity now finding itself in the new world, in what should be the land of milk and honey.”

Next year, Ms Feore will celebrate her 20th season with the Festival. To her musical credits, Ms Feore adds the choreography of more than 20 productions here, as well as the direction of the captivating production of Cyrano de Bergerac in 2009. Ms Feore’s other credits include directing The Very, Very Best of Broadway with Martin Short and Marvin Hamlisch; the Canadian Stage productions of Rock ’n’ Roll and It’s a Wonderful Life; the Detroit Symphony Orchestra’s Lecture on the Weather and A Soldier’s Tale with F. Murray Abraham; and the Toronto Symphony Orchestra’s Mozart: A Life in Letters. Her film credits include Politics Is Cruel, Mean Girls, Eloise, Martin and Lewis, Stormy Weather and the opera films Romeo and Juliette and Don Giovanni Unmasked.

A Midsummer Night’s Dream | By William Shakespeare | Directed by Chris Abraham | Festival Theatre
#sfDream

Chris Abraham, hot off his spell-binding production of Othello, will direct his first Shakespeare on the Festival Stage, A Midsummer Night’s Dream.

This delightful Shakespearean comedy of unrequited desire is imbued with the same life force that permeates Crazy for You. The madness of love runs riot as Hermia flees to the woods with her lover, Lysander, to escape her father’s command that she marry Demetrius. Demetrius follows, pursued by Helena, whose love he spurns. Their romantic problems intensify when the fairy world intervenes.

A Midsummer Night’s Dream explores the madness of young love – intemperate, powerful, blind, rash,” says Mr. Cimolino. “It is Romeo and Juliet with a happy ending. This young love, however, exists in a male-dominated world where parents want to control their children’s natural desires, causing a series of metamorphoses. Even the natural world revolts at man’s determination to subvert these desires, putting the climate in disarray.”

Mr. Abraham, who is Artistic Director of Crow’s Theatre in Toronto, will mark his fifth season at Stratford, where he has quickly established himself as a director of note with stellar productions of The Matchmaker, The Little Years and For the Pleasure of Seeing Her Again to his credit. He has won numerous awards in his career, including a Dora for The Little Years, which he directed at Tarragon after its Stratford run. He also has received Doras for Eternal Hydra and Easy Lenny Lazmon, and a Gemini for I, Claudia, and was the recipient of the Siminovitch Protégé Award in 2002. His other credits include Someone Else, Seeds and BOXHEAD at Crow’s Theatre; The Patient Hour at Tarragon; Blue/Orange at Canadian Stage; Antigone and The Lesson at Soulpepper; and Hedda Gabler, The Glass Menagerie and Salt-Water Moon at the Saidye Bronfman Centre.

The Beaux’ Stratagem | By George Farquhar | Directed by Antoni Cimolino | Festival Theatre
#sfStratagem

Opening later in the season at the Festival Theatre is George Farquhar’s brilliant Restoration comedy The Beaux’ Stratagem, directed by Mr. Cimolino. It is the first Restoration comedy produced in Stratford since The Country Wife in 1995.

Written in 1707, The Beaux’ Stratagem follows the madly comic antics of two impoverished rakes, who, disguising their identities, arrive in the town of Lichfield seeking to restore their fortunes by wooing wealthy women. As the two connive to relieve ladies of their wealth, they must contend with a suspicious local innkeeper and his band of highwaymen, and with an acquaintance privy to their true identity.

“In The Beaux’ Stratagem, the necessity of coping with the realities of marriage and personal finance give way to a romp,” says Mr. Cimolino. “One of the last of the Restoration comedies, it was written by the amazing George Farquhar, who himself was dying and hoped the play would finance his family after his death. It is very funny and I look forward enormously to directing it.”

Hay Fever | By Noël Coward | Directed by Alisa Palmer | Avon Theatre
#sfHayFever

Alisa Palmer, Artistic Director of the National Theatre School English Section, makes her Festival debut at the Avon Theatre as the director of Noël Coward’s celebrated comedy Hay Fever.

As stylish as it is intoxicatingly absurd, Hay Fever introduces audiences to the Bliss family: a retired actress mother, novelist father and two children, all prone to their own outrageous eccentricities. The family’s self-absorbed antics astound and ultimately exasperate the various guests that each of them has invited to their country house for the weekend. Driven to distraction by a comic maelstrom of rousing fights, fevered flirtations and histrionic role-playing, the guests eventually flee, leaving the Blisses happily playing and bickering amongst themselves.

“This is one of the great opportunities for energetic comedy within the theme of madness,” says Mr. Cimolino. “Theatre is about taking ordinary situations and pushing them to the extreme – and what could be more delightful than experiencing this through the lives of a theatre family? These people pretend to have an interest in conventional living, in entertaining at their country property. But as we can see by the end, they really are in a world all their own. It’s as if they lived only on the stage – sheer madness!”

Ms Palmer is currently collaborating with Ann-Marie MacDonald and Torquil Campbell on a Festival commission to develop a musical reflection on Hamlet. An internationally award-winning director, playwright and producer, Ms Palmer has worked in a range of genres, including classics, contemporary plays, creation projects, musicals and operas. A former Artistic Director of Toronto’s Nightwood Theatre and long-time director at the Shaw Festival, Ms Palmer has directed across Canada, winning seven Dora Awards for her work, as well as two Chalmers Awards for her plays i.d. and A Play About the Mothers of Plaza de Mayo. Her Shaw credits include Pal Joey, The Philanderer, The Women, Belle Moral: A Natural History, Sunday in the Park with George and Diana of Dobson’s. Her other credits include The Children’s Republic and East of Berlin at Tarragon, Cloud 9 for Mirvish Productions, the acclaimed Top Girls at Soulpepper, and Mrs. Warren’s Profession and The Blonde, the Brunette and the Vengeful Redhead at the Royal Manitoba Theatre Centre.

Man of La Mancha | Music by Mitch Leigh | Lyrics by Joe Darion | Book by Dale Wasserman | Directed by Robert McQueen | Choreographed by Marc Kimelman | Avon Theatre
#sfLaMancha

Robert McQueen, whose work in musical theatre and opera has been recognized both nationally and internationally, will make his Stratford debut at the helm of Man of La Mancha, to be staged at the Avon Theatre.

Featuring the timeless anthem “The Impossible Dream,” Man of La Mancha follows the saga of the aging Miguel de Cervantes, playwright, poet and tax collector, who finds himself in a dungeon in Seville awaiting trial by the Inquisition for an offence against the Church. When his fellow prisoners try to confiscate his few possessions, including the uncompleted manuscript of his most famous work, the novel Don Quixote, Cervantes defends his masterpiece by proposing that he present it to them as a play. To this end, Cervantes and his manservant transform themselves into Don Quixote and his fiercely loyal servant, Sancho Panza, recruiting prisoners to take on the roles of other characters. What follows is the stirring tale of the mad Quixote and his obsessive quest to attain the impossible dream. It is the lunatic who sees most clearly in Man of La Mancha, as in King Lear.

Man of La Mancha is a beautiful contrast to Crazy for You,” says Mr. Cimolino. “The source material, Don Quixote, is from the Spanish Golden Age, and you can see that period’s theatrical influence on Shakespeare in the Romance plays. Man of La Mancha takes that source material and puts it through the lens of American musical theatre. It depicts a pure, chaste, romantic and mature love – love that elevates the beloved. It is an extraordinary musical because of the story and the characters. Despite dark content, it manages to be inspiring, making us question what is actually the saner choice: to live in filth and despair, or to pursue the romantic ideal.”

Mr. McQueen directed Caroline, or Change, the Acting Up Stage musical that took Toronto by storm in 2012. His recent work includes the direction and dramaturgy of the new musical theatre piece Where Elephants Weep, at the Cambodian Living Arts centre in Phnom Pehn, The Light in the Piazza and Strauss’s final opera, Capriccio, for Pacific Opera in Victoria. In 2009 he directed a Tokyo-based creative team and acting company in a Japanese-language production of Carousel at the Galaxy Theatre in Tokyo. For the Vancouver Opera he served as director and dramaturge for The Magic Flute. The project, for which he also adapted the libretto, was a collaboration with a 15-member creative team of Canadian aboriginal and non-native visual artists and theatre-makers. His other work includes directing La Bohème for the Canadian Opera Company and serving as associate director of the Broadway and national touring productions of Mamma Mia, as well as the direction of the Mexico City, Sao Paulo and Buenos Aires productions.

Alice Through the Looking-Glass | Adapted by James Reaney | Directed by Jillian Keiley | Avon Theatre
#sfAlice

Twenty years after its Stratford première, the Festival is pleased to present Lewis Carroll’s wildly inventive fantasy Alice Through the Looking-Glass, in an adaptation commissioned by the Festival from nationally renowned playwright and poet James Reaney, a native son of Stratford. So popular was the 1994 production that it was re-mounted in 1996 to the great delight of audiences of all ages.

Jillian Keiley, Artistic Director of English Theatre at the National Arts Centre, will bring her remarkable creative vision to the piece, to be staged at the Avon Theatre and produced in association with the National Arts Centre.

“The underlying material for Alice Through the Looking-Glass is, of course, iconic and examines a fantasy world filled with some of the greatest and most familiar nonsense verse,” says Mr. Cimolino. “The characters – the Walrus and the Carpenter, Tweedledum and Tweedledee, Humpty Dumpty and the Jabberwock – are the inhabitants of the farthest reaches of a child’s imagination.”

Deciding to explore the alternative world she sees inside her living-room mirror, Alice finds a place that in some aspects resembles her home yet differs from it in ways as delightful as they are surreal.

Ms Keiley won the 2004 Siminovitch Prize for her “startlingly original and radically imaginative” directing style, making her an ideal candidate to take on the sublime nonsense of both Lewis Carroll and James Reaney. She is also the recipient of the Canada Council’s John Hirsch Award. Her credits include Tempting Providence, which she created in collaboration with playwright Robert Chafe, and which, over a 10-year run, toured across Canada and abroad, as did Afterimage. She and Mr. Chafe, the co-founders of Newfoundland’s Artistic Fraud, also collaborated on Oil and Water, at Factory Theatre. Ms Keiley made a big splash with her first project as Artistic Director of the NAC, Metamorphoses, a play by Mary Zimmerman, which re-imagines 10 classical myths. Set around a giant swimming pool, this theatrical event allowed audiences to experience the consequences of humanity’s deepest desires. Ms Keiley’s Stratford connection dates back to 2008, when she was selected as a participant in the International Master Directors Summit.

Mother Courage | By Bertolt Brecht | Directed by Martha Henry | Tom Patterson Theatre
#sfCourage

Considered one of the greatest plays of the 20th century – and perhaps the greatest anti-war play of all time – Bertolt Brecht’s Mother Courage will be directed by one of the Festival’s most celebrated artists, Martha Henry, returning for a remarkable 40th season with the Stratford Festival in 2014. Ms Henry’s contributions to the Festival include the direction of numerous critically acclaimed productions, including this season’s Measure for Measure, 2009’s Three Sisters, 2007’s Of Mice and Men and 2002’s Elizabeth Rex.

Mother Courage was written in 1939 as a response to the Nazi invasion of Poland. Set in 17th-century Europe and spanning 12 years, the story follows Mother Courage as she struggles to make a living and to protect her three children during the Thirty Years’ War. By the end of the play, having lost everyone she loves and almost everything she owns, she has truly been driven to the edge – yet somehow she finds the will to carry on.

“Mother Courage presents a world in which the madness of war becomes not only day-to-day but something that the people can’t live without,” says Mr. Cimolino. “It represents profit. It represents the new normal. In that respect it is like our world today. As the characters cynically take advantage of the opportunities for commercial gain that the war provides, they lose anything of real worth, including their souls. They lose their children, they lose their freedom, they lose their self-respect and eventually they lose their lives.”

A Companion of the Order of Canada and a recipient of the Governor General’s Lifetime Achievement Award, Ms Henry boasts a career without parallel in this country. Her work opposite the great William Hutt was truly the stuff of dreams, beginning with her portrayal of Miranda to his Prospero and also including Mary to his James Tyrone in Long Day’s Journey into Night. Her Shakespearean roles include Titania, Lady Macduff, Helena, Luciana, Cressida, Viola, the Countess of Rossillion, Cymbeline’s Queen, Lady Anne, Queen Eleanor, Cordelia, Goneril, Rosaline, the Princess of France, Thaisa, Desdemona, Lady Macbeth, Queen Margaret, Isabella, Beatrice, Paulina and Volumnia. As Director of the Festival’s Birmingham Conservatory, Ms Henry is training a whole new generation of classical actors.

King John | By William Shakespeare | Directed by Tim Carroll | Tom Patterson Theatre
#sfKingJohn

King John, the story of a monarch trying desperately to maintain his grip on power, will be presented at the Tom Patterson Theatre in a production directed by Tim Carroll.

King John looks at a mind driven by the dangerous combination of ambition and insecurity,” says Mr. Cimolino. “John commits horrible acts to secure a position he rightly holds. There is a wonderful range of characters in this play who navigate, with varying degrees of success, the pressures of politics, ambition, legitimacy and loss. From Hubert the mercenary, asked to commit an atrocity, to Constance, who wishes she were mad to escape the pain of her child’s murder, it is the Bastard (a very different bastard from Edmund in King Lear) who comes through the play with the most honour and integrity.”

Tim Carroll, who this season gave audiences the opportunity to see a Romeo and Juliet as Shakespeare might have presented it at the Globe Theatre, will transport audiences to the Blackfriars Theatre in a candlelit production of King John.

Mr. Carroll, former Associate Director of Shakespeare’s Globe in London, directed a sold-out production of Twelfth Night, starring Mark Rylance, which transferred from the Globe to London’s West End, garnering four Olivier nominations this year, and which will open on Broadway in the fall. Mr. Carroll is one of the world’s most respected directors of Shakespeare. His Globe credits also include Macbeth, Romeo and Juliet, The Two Noble Kinsmen, The Tempest and The Golden Ass. For the RSC he directed The Merchant of Venice and A Midsummer Night’s Dream. His international credits include Fair Ladies at a Game of Poem Cards, The Duchess of Malfi and Victory for the Barka Theatre in Budapest; All’s Well That Ends Well for the National Theatre in Craiova, Romania; Amadeus for the National Theatre in Portugal; and A Midsummer Night’s Dream for the Sydney Opera House. He is a founding member of The Factory, in London, for which he directed three theatre experiments: Hamlet, The Seagull and The Odyssey. Mr. Carroll made his Stratford debut as director of the wildly popular Peter Pan in 2010.

Antony and Cleopatra | By William Shakespeare | Directed by Gary Griffin | Tom Patterson Theatre
#sfAntony

Gary Griffin, Associate Artistic Director of the Chicago Shakespeare Theater, will return for a fifth season to direct Antony and Cleopatra at the Tom Patterson Theatre.

The play, produced just four times before at Stratford, follows the relationship of Cleopatra, Queen of Egypt, with Mark Antony, who, having defeated Brutus and Cassius, the assassins of Julius Caesar, is now one of the three rulers of the Roman republic. Criticized for neglecting his political and military responsibilities – and his wife in Rome – as he dallies in Alexandria with Cleopatra, Antony attempts to break free of Cleopatra’s spell, and returns to Rome to help crush an incipient rebellion. Once there, his wife having died, he agrees to a political marriage, enraging Cleopatra. But Antony cannot long endure his separation from the bewitching Egyptian queen: when war breaks out, he abandons his new wife and returns to Egypt, a choice that leads to his own and Cleopatra’s tragic ends.

Antony and Cleopatra examines older love and the pressures of being madly in love when you know better,” says Mr. Cimolino. “This play has some of the most incredibly lyrical and intense love poetry ever written, along with beautiful observations on life that speak to us today, in a world where second and third marriages have never been more common.”

Mr. Griffin has a string of hit productions to his credit at Stratford, including 42nd Street, Camelot, Evita and West Side Story. He won an Olivier Award for outstanding musical for his production of Pacific Overtures at the Donmar Warehouse in London. On Broadway, he was the director of Oprah Winfrey’s production of The Color Purple and of The Apple Tree. His Off-Broadway credits include Music in the Air, A Tree Grows in Brooklyn, Pardon My English and The New Moon for City Center Encores!, Saved at Playwrights Horizons; and Beautiful Thing at the Cherry Lane. He has won numerous awards for his work at Chicago Shakespeare, where his credits include Amadeus, Passion, A Flea in Her Ear, A Little Night Music, Sunday in the Park with George and Pacific Overtures.

Christina, The Girl King | By Michel Marc Bouchard | Translated by Linda Gaboriau | Directed by Vanessa Porteous | Studio Theatre
#sfChristina

The Festival is delighted to present Linda Gaboriau’s translation of Michel Marc Bouchard’s Christina, The Girl King. Written by one of Quebec’s most celebrated playwrights, the play will make its English-language première at the Studio Theatre, directed by Vanessa Porteous, Artistic Director of Alberta Theatre Projects.

Commissioned as a translation by the Festival in 2010, the play is the story of Christina of Sweden, an extraordinarily modern character who was born just 10 years after Shakespeare’s death. Hers is a story of bringing sanity to an insane world. The enigmatic ruler showed a passion for philosophy, literature and the arts but her lifestyle and refusal to marry proved sources of great concern at court. Rather than bow to pressure to conform to the expectations of others, the 26-year-old queen abdicates in order to be free to pursue her own aspirations. Is this an act of madness? Or is Christina’s the story of a modern woman born out of her time – one whom the 17th century simply couldn’t contain?

“Michel Marc Bouchard has such a great gift for helping us understand the situation of the person who does not fit in,” says Mr. Cimolino. “In Christina, The Girl King, he has beautifully brought to life the story of a historical figure who had the courage to step outside of the society that attempted to bind her in. As the daughter of a Protestant warrior king – himself one of the driving forces of the Thirty Years’ War depicted in Mother Courage – she was expected to get married, have children and adhere to the spartan values of the Swedish nation as it was then. Instead she introduced foreign, and then radical scientific and philosophical ideas, and strained to remain unmarried and independent.

“Bouchard examines the pressures inherent in her sexual and personal self-discovery in a highly compelling play. The pressures in her life push her to the edge. Rather than give over to madness, which would be the only outcome of staying on as queen, she leaves her throne and her country, moving to Rome where she is free to live outside of marriage as a patron of the arts.”

Ms Porteous makes her Festival debut with this production.

A Midsummer Night’s Dream | By William Shakespeare | A Chamber Play Directed by Peter Sellars
#sfChamber

Peter Sellars, renowned for his transformative interpretations of artistic masterpieces, comes to the Festival for the first time to stage his reimagined version of A Midsummer Night’s Dream. With a cast of four actors playing all of the roles, this staging will offer an intensely focused approach to Shakespeare’s examination of the role-playing, mercurial mood swings, delusional fantasy, deep hurt, and forgiveness and release at the heart of human relationships.

“What is extraordinary about Stratford is not that we do 12 plays in one year, but that we do them all at the same time, giving theatre-goers an opportunity to experience one play in light of another. Next season, for the first time ever, we will offer a chance for audiences to experience the same title in two very different productions, along with further opportunities for exploration in The Forum,” says Mr. Cimolino.

“I look forward to welcoming Peter to the Stratford Festival,” he adds. “I have greatly enjoyed his work in opera and Shakespeare for its beauty, vulnerability and intelligence. When Peter spoke to me about his ideas for Dream, I sensed an opportunity to create not only an exploration but a celebration of this great play.”

Mr. Sellars has worked with an extraordinary range of creative artists over the past three decades. His landmark staging of Sophocles’ Ajax, set at the Pentagon, was invited to tour Europe and ignited his international career. Other noteworthy theatre projects include a 1994 staging of Shakespeare’s The Merchant of Venice set in southern California with a cast of black, white, Latino and Asian-American actors; a production of Euripides’ The Children of Herakles, focusing on contemporary immigration and refugee issues and experience; and, in 2009, Othello, inspired by and set in the America of newly elected President Barack Obama. Desdemona, Sellars’s recent collaboration with the Nobel Prize-winning novelist Toni Morrison and Malian composer and singer Rokia Traore, has been performed in Vienna, Brussels, Paris, Berkeley, New York, Berlin, Amsterdam and Naples, and was presented in London as part of the 2012 Cultural Olympiad.

Tickets for the 2014 season of the Stratford Festival go on sale to Members on November 11, 2013, and to the general public on January 4, 2014, with a special advance sale on Facebook beginning January 2.

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PHOTOGRAPHY: www.stratfordfestival.ca/imagegallery

 2014 Playbill Post 2

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Stratford Festival kicks off 61st season with first preview of Fiddler on the Roof

April 23, 2013… The Festival Theatre stage will transform into a small Jewish village through the heartwarming tale of hope, faith and tradition that is Fiddler on the Roof. One of Broadway’s longest-running and most celebrated musicals begins previews in Stratford on Tuesday, April 23, marking the first performance of the 2013 season.

An affectionately humorous portrait of life in the small Russian shtetl of Anatevka, Fiddler on the Roof centres on Tevye, the village milkman, who finds his values challenged by his daughters’ insistence on following their hearts rather than the dictates of tradition. Gradually, Tevye comes to accept that change is inevitable, but he does not realize that other, tragic upheavals are on the horizon – some that threaten his community’s very existence.

The production is directed and choreographed by Donna Feore, who returns for her 19th season at the Festival, having helmed such much loved productions as Oliver!, Oklahoma!, Cyrano de Bergerac and last year’s You’re a Good Man, Charlie Brown.

“This is a classic musical with extraordinary heart,” says Ms Feore. “Tevye is not only dealing with change and uncertainty within his family, he is also dealing with uncertainty in the world around him. I think that is why people are so moved by this piece. Life is always changing. Like the fiddler on the roof, it’s unstable, and it’s about finding balance.”

In a playbill built around themes of community, Fiddler on the Roof is a natural fit.

“In putting together this season, I was particularly drawn to exploring the idea of cultural belonging: communities divided and how they bridge those gaps,” says Artistic Director Antoni Cimolino. “This is an iconic story of a community driven apart by the pressures of a changing world, but also one of bringing people together – a notion it takes beyond the stage by inviting us all to be Jewish, if only for a couple of hours. The combination of music and dance, humour and warmth makes Fiddler on the Roof a timeless work of art within the musical genre and a great night out at the theatre.”

Based on the stories of Sholem Aleichem, with book by Joseph Stein, music by Jerry Bock and lyrics by Sheldon Harnick, the Tony Award-winning musical was originally produced on the New York stage by Harold Prince and directed and choreographed by Jerome Robbins. The rousing, unforgettable score, featuring such beloved songs as “If I Were a Rich Man,” “Matchmaker, Matchmaker” and “Sunrise, Sunset,” will be brought to life in this production by an outstanding cast working alongside acclaimed Musical Director Shelley Hanson in her Stratford debut.

Two familiar faces from Festival seasons past make a welcome return in the musical: Scott Wentworth as Tevye and Kate Hennig as his wife, Golde. The cast also features Jacquelyn French as Hodel, Keely Hutton as Chava, Gabrielle Jones as Yente, André Morin as Motel, Mike Nadajewski as Perchik, Paul Nolan as Fyedka and Jennifer Stewart as Tzeitel.

Joining Ms Feore and Ms Hanson are Tony Award-nominated Set Designer Allen Moyer, Costume Designer Dana Osborne, Lighting Designer Michael Walton, Sound Designer Peter McBoyle and Fight Director John Stead.

Fiddler on the Roof Forum Highlights 

The Forum, the new festival within the Festival, is a series of activities and events designed to make a visit to Stratford an immersive, all-encompassing cultural experience. Through debates, talks, concerts, comedy nights, hands-on workshops and more, The Forum will offer theatregoers more ways to discover and examine the themes running through this season’s productions.

Themes related to Fiddler on the Roof will be explored through several Forum events, including: Tradition and the Jewish Composer, a concert by the ARC Ensemble (Artists of the Royal Conservatory) introduced by Artistic Director Simon Wynberg; Breaking with Tradition: Fiddler on the Roof and the 1960s Generation Gap, a talk by Marlis Schweitzer, associate professor of theatre at York University; and Fiddler’s Fortunes: The Mighty Afterlife of a Broadway Musical, a talk by Alisa Solomon, director of the Arts and Culture concentration in the MA program at Columbia Journalism School.

Support for the inaugural season of The Forum is generously provided by Kelly and Michael Meighen and the Province of Ontario, in partnership with the University of Waterloo, with media sponsorship provided by The Walrus. Support for the Speaker Series is generously provided in memory of Dr. Philip Hayman.

Fiddler on the Roof is co-sponsored by Union Gas Limited. Production support is generously provided by the Harkins Family in memory of Susan Harkins and by Celebrate Ontario.

Stratford Direct, the new daily return private bus service between Toronto and Stratford, begins May 1. Departing once daily from May 1 to 25 and October 1 to 20 and twice daily from May 27 to September 29 (on performance days only), the round trip costs only $20.

Support for Stratford Direct is generously provided by The Peter Cundill Foundation.

The Stratford Festival’s 2013 season runs until October 20, featuring Romeo and Juliet, Fiddler on the Roof; The Three Musketeers, The Merchant of Venice, Tommy, Blithe Spirit, Othello, Measure for Measure, Mary Stuart, Waiting for Godot, Taking Shakespeare, and The Thrill, along with more than 150 events at The Forum.

Cast (in alphabetical order)

Alfons……………………………………………..       Matt Alfano

Gavril Kanevski…………………………………       Gabriel Antonacci

Levi Hayes………………………………………       Matthew Armet

The Fiddler……………………………………..       Anna Atkinson

Fruma-Sarah…………………………………….        Jewelle Blackman

Nachum…………………………………………        Matthew G. Brown

Mashel…………………………………………..        Stephen Cota

Benesh………………………………………….       Sean Dolan

Hodel……………………………………………       Jacquelyn French

Grandma Tzeitel………………………………..       Barbara Fulton

Bielke, alternating.……………………………..        Anna Gough

Yussel…………………………………………..       Sean Alexander Hauk

Shaindel…………………………………………       Valerie Hawkins

Golde……………………………………………       Kate Hennig

Avram…………………………………………..       Larry Herbert

Bielke, alternating………………………………       Effie Honeywell

Chava……………………………………………       Keely Hutton

Rifka……………………………………………       Robin Hutton

Zeff Orenstein………………………………….       Galen Johnson

Yente……………………………………………       Gabrielle Jones

Swing…………………………………………..        Julia Juhas

Clarinet Player….………………………………       Gary Kidd

Mordcha………………………………………..        Jeremy Kushnier

Shprintze……………………………………….        Krista Leis

Mendel…………………………………………        Robert Markus

Motel…………………………………………..         André Morin

The Rabbi………………………………………         Sam Moses

Perchik…………………………………………        Mike Nadajewski

Swing…………………………………………..        Nicholas Nesbitt

Fyedka………………………………………….       Paul Nolan

Charna………………………………………….        Katrina Reynolds

Swing…………………………………………..        Jennifer Rider-Shaw

Lazar Wolf……………………………………..        Steve Ross

The Constable………………………………….        Brad Rudy

Sasha……………………………………………        Julius Sermonia

“To Life” Tenor………………………………..        Lee Siegel

Itsaak……………………………………….…..       Shayne Simpson

Tzeitel………………………………………….        Jennifer Stewart

Tevye…………………………………………..        Scott Wentworth

Artistic Credits

Director and Choreographer……………………        Donna Feore

Musical Director……………………………….        Shelley Hanson

Set Designer……………………………………        Allen Moyer

Costume Designer………………………………        Dana Osborne

Lighting Designer………………………………       Michael Walton

Sound Designer…………………………………       Peter McBoyle

Fight Director…………………………………..       John Stead

Producer………………………………………..        David Auster

Casting Director………………………………..        Beth Russell

Creative Planning Director…………………….        Jason Miller

Associate Choreographer………………………        Kerry Gage

Associate Conductor……………………………       Marilyn Dallman

Assistant Director………………………………        Ann Baggley

Jewish Culture Consultant……………………..        Dr. Darren C. Marks

Assistant Set Designer…………………………        Brandon Kleiman

Assistant Costume Designer……………………        Alix Dolgoy

Assistant Lighting Designers…………………..        Sean Poole, Tristan Tidswell

Assistant Fight Directors………………………        Geoff Scovell, Anita Nittoly

Dance Captain…………………………………        Stephen Cota

Fight Captain……………………………….….        Brad Rudy

Stage Manager…………………………………        Cynthia Toushan

Assistant Stage Managers………………………        Krista Blackwood, Melissa Rood, Zeph Williams

Production Assistant……………………………        Linsey Callaghan

Production Stage Manager…………………….        Margaret Palmer

Technical Director………………………….….         Jeff Scollon

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PHOTOGRAPHY:

Promotional photos for Fiddler on the Roof:

http://www.stratfordfestival.ca/imagegallery/imagegallery.aspx?id=20295

Headshots:

http://www.stratfordfestival.ca/imagegallery/imagegallery.aspx?id=14315

Antoni Cimolino unveils first season as Artistic Director

July 17, 2012… Antoni Cimolino today announced the Stratford Shakespeare Festival’s playbill for 2013, his first season as Artistic Director, and began to outline his vision for the Festival’s future during his tenure.

Combining intimate chamber pieces with works of larger scope, the 2013 season offers a rich variety of repertoire, from classics to light-hearted comedy to powerfully emotive musicals. It also invites audiences to enhance their enjoyment of the productions by exploring various thematic strands that run through the playbill as a whole.

“I have selected a season that I hope will touch both the hearts and minds of our audiences, not only engaging them emotionally but also provoking discussion and debate,” said Mr. Cimolino. “These plays complement and reflect one another, while at the same time connecting with contemporary social issues. Each will offer a complete and fulfilling experience on its own – but the experience will be even richer for those who see several of the productions and take advantage of the opportunity to draw connections among them.

“Our audiences have always expected us to tell the great stories, and to tell them superbly,” he added, “but I believe that today they also want to explore, to ask questions, to interact with us and to better understand the artist’s goals.”

To that end, Mr. Cimolino will complement his playbill with a new initiative, the Forum: an interactive program of talks, discussions, music and dance, and other ancillary events that will offer a diverse range of perspectives and invite debate on the season’s themes.

“Many of these plays, for instance, deal with the bonds that hold communities together and the differences that divide them,” said Mr. Cimolino. “Several of them feature characters whose ‘otherness’ challenges the status quo. The Forum will invite our audiences to pursue these and other topics raised on our stages by participating in a lively exchange of ideas.

Acclaimed directors featured throughout the season

The 2013 season will open at the Festival Theatre with Romeo and Juliet, Shakespeare’s great tragedy of young lovers who defy their families’ ancient hatred. It will be directed by Tim Carroll, who helmed 2010’s Peter Pan and is currently directing Mark Rylance in Richard III and Twelfth Night at Shakespeare’s Globe in England.

Donna Feore, whose previous work on the Festival’s thrust stage has included such hugely popular productions as Oklahoma! and Oliver!, will direct and choreograph one of Broadway’s most celebrated musicals, Fiddler on the Roof, the humorous yet heart-wrenching story of a community whose traditions – andvery existence – are assailed by the winds of change.

The solidarity of comrades-in-arms is pitted against the machinations of church and state in the swashbuckling adventure The Three Musketeers. Based on Alexandre Dumas’s classic novel, this adaptation by Peter Raby was written in 1968 especially for the Festival stage and will appeal to audiences of all ages. It will be directed by Miles Potter, whose Stratford productions include the highly lauded Richard III, Medea and Orpheus Descending.

Brian Bedford to play Shylock

Completing the line-up at the Festival Theatre will be The Merchant of Venice, Shakespeare’s perennially popular yet always controversial story of a despised outsider who seeks horrific vengeance for the abuse to which he has been subjected. It will be directed by Mr. Cimolino, whose prior Festival productions include the current season’s widely acclaimed Cymbeline. The production will feature Brian Bedford as Shylock.

Mr. Bedford, whose recent double triumph as director and star of The Importance of Being Earnest thrilled audiences first in Stratford and then on Broadway, and was broadcast in high definition on cinema screens, will also direct Blithe Spirit, Noël Coward’s hilariously witty comedy of ghostly visitation from the “other side.” The production will be presented at the Avon Theatre.

Des McAnuff returns to direct Tommy

Also at the Avon, Des McAnuff, whose tenure as Artistic Director ends after the 2012 season, will return to direct The Who’s Tommy, which he co-wrote with Pete Townshend and for which he won a Tony for Best Director in 1993. The spectacular rock musical tells the story of a young man who, despite having lost the faculties of speech, sight and hearing, becomes a pinball virtuoso – and the centre of a celebrity cult.

In his first Shakespearean assignment at Stratford, Chris Abraham, director of this year’s critically lauded production of The Matchmaker, will direct Othello, the classic tragedy of an interracial marriage fatally undermined by the deadly insinuations of a master manipulator.

At the Tom Patterson Theatre, Shakespeare’s Measure for Measure will explore the problems and paradoxes inherent in the state’s attempts to regulate sexual morality. It will be directed by Martha Henry, whose renowned Stratford productions most recently included Chekhov’s Three Sisters in 2009.

Brian Dennehy returns for Mary Stuart and Waiting for Godot

Meanwhile, at the same theatre, Mr. Cimolino will direct Friedrich Schiller’s Mary Stuart. This gripping historical drama about the power struggle between Elizabeth I and Mary, Queen of Scots, offers a timely exploration of the often dangerous relationship between religion and politics. Brian Dennehy will return for his third season at Stratford to play Talbot.

Jennifer Tarver, who won international plaudits for her 2008 production of Krapp’s Last Tapefeaturing Mr. Dennehy, will continue her exploration of Samuel Beckett’s work with Waiting for Godot, a 20th-century classic that raises fundamental questions about the meaning of human life in a seemingly indifferent universe. She will once again be working with Mr. Dennehy, who will play Pozzo.

Martha Henry takes the lead in Taking Shakespeare

Two Canadian plays will be presented at the Studio Theatre. Diana Leblanc, whose remarkable career includes the Festival’s celebrated 1994 production of Long Day’s Journey into Night, returns to direct John Murrell’s Taking Shakespeare, in which a disenchanted professor and her student undertake an exploration of Othello, a journey that leads them to a new understanding of themselves and each other. The play will feature Martha Henry as the Prof, a role that was written expressly for her.

Dean Gabourie, who this year is directing the première of Daniel MacIvor’sThe Best Brothers, will bring another world première to the stage in 2013: Judith Thompson’s The Thrill. Commissioned by the Festival, this spirited new play concerns a disability activist who confronts a champion of the right-to-die movement – with results that catch them both unawares.

Two new initiatives focus on innovation and exploration

In outlining his future plans, Mr. Cimolino –­ a 25-year Stratford veteran– said that he intends to build in three specific ways on the achievements that have already earned the Festival its reputation as North America’s leading classical theatre company.

“First, I will put the actor and the text firmly at the centre of what we do. That was the principle on which our Festival was founded 60 years ago, and I think it has become even more important today. In a culture that has become so visually oriented, I think people crave the kind of storytelling that relies above all on the uniquely compelling power of the spoken word.

“At the same time, I want the Festival to be a world leader in artistic innovation and exploration. The very act of exploration, of trying things in new ways and expanding the skills we have, is critically important to a great company examining the classics. With that in mind, I shall also launch a second initiative, the Laboratory, which will be for the artist what the Forum is for the audience.”

Incorporating the Festival’s existing new play development activities into a program with wider aims, the Laboratory willenable playwrights to work on a grander scale, emulating the scope of the classics. It will also provide opportunities to experiment with existing works.

“The Laboratory will be a workshop but also a playground,” explained Mr. Cimolino. “It will enable us to work with artists from other countries and to form partnerships with other disciplines.It will encourage innovative approaches to the great classical texts, so that we can find new ways of telling these familiar stories, and it will also enable us to explore classics with which we are less familiar, so that we may discover the overlooked treasures of other eras and other cultures.

“My third goal for the future,” he added, “is to establish our Festival and its beautiful city of Stratford as an unrivalled spiritual, emotional and intellectual retreat. Tyrone Guthrie, our first Artistic Director, conceived of Stratford as a place removed from a major metropolis where you could lay aside for a moment the demands of daily life and give yourself time to enjoy, to think and to feel – and then go home refreshed, restored and inspired. Hence my introduction of the Forum as a means of enabling audiences to enjoy theatre in a deeper and more dynamic way, using the work they see on our stages to prompt ideas, raise questions and open the door to good-hearted and open-minded debate.”

Specific details regarding casting, the Forum and the Laboratory will be announced at a later date.

“We are excited about both the 2013 playbill and the vision for the Festival outlined by our incoming Artistic Director,” said Dr. David Goldbloom, Chair of the Board of Governors. “It reconfirms our commitment to classical theatre while promoting new talent and innovation through the Laboratory. Antoni’s plans for the playbill bring a coherence to the offerings that we hope provokes curiosity and discussion – not only before and after performances but also in the Forum.”

THE 2013 PLAYBILL

FESTIVAL THEATRE

Romeo and Juliet
By William Shakespeare
Directed by Tim Carroll

Fiddler on the Roof
Music by Jerry Bock, Lyrics by Sheldon Harnick, Book by Joseph Stein
Directed and choreographed by Donna Feore 

The Three Musketeers
By Peter Raby
Adapted from the novel by Alexandre Dumas
Directed by Miles Potter

The Merchant of Venice
By William Shakespeare
Directed by Antoni Cimolino

AVON THEATRE

Blithe Spirit
By Noël Coward
Directed by Brian Bedford

The Who’s Tommy
By Pete Townshend and Des McAnuff
Based on the album Tommy by The Who
Directed by Des McAnuff

Othello
By William Shakespeare
Directed by Chris Abraham

TOM PATTERSON THEATRE

Measure for Measure
By William Shakespeare
Directed by Martha Henry

Mary Stuart
By Friedrich Schiller
Directed by Antoni Cimolino

Waiting for Godot
By Samuel Beckett
Directed by Jennifer Tarver

STUDIO THEATRE

Taking Shakespeare
By John Murrell
Directed by Diana Leblanc

The Thrill
By Judith Thompson
Directed by Dean Gabourie
World première of a Stratford Shakespeare Festival commission

Bring your family to the Festival this Canada Day weekend!

by Lisa Middleton

If you’re looking to make some family plans for Canada Day weekend, look no further! We’re hosting a special celebration for you and the kids that includes great shows, loads of activities, chocolates and treats, a pizza party and meet and greets with actors from You’re A Good Man, Charlie Brown and The Pirates of Penzance.

I’ll be there with my daughter enjoying some Festival fun. Come and celebrate with us on Saturday, Sunday or both days and enjoy these fabulous ticket packages!

Choose from:

Saturday, June 30

  • Buy one adult ticket to The Pirates of Penzance and get up to four child tickets to The Pirates of Penzance for the special price of $29 each
  • One free Warehouse Tour ticket (to be used on June 30) with every ticket purchased (adult or child)
  • One free ticket for the post-show pizza party/cast meet and greet with every ticket purchased (adult or child)
  • Meet cast members Sean Arbuckle (our Pirate King), Kyle Blair (our resident Frederic) and Gabrielle Jones (the hilarious Ruth)!

OR

Sunday, July 1

  • Buy one adult ticket to You’re A Good Man, Charlie Brown and get up to four child tickets to You’re A Good Man, Charlie Brown for the special price of $29 each
  • One ticket for each child attending to receive a free Charlie Brown key chain (to be picked up from the Avon Theatre Store)
  • One free ticket for the post-show pizza party/cast meet and greet with every ticket purchased (adult or child)
  • Who will you and your children get to mingle with at the post-show meet and greet? Spend some time with Snoopy (Stephen Patterson), Ken James Stewart (Charlie Brown), Andrew Broderick (Schroeder), Amy Wallis (Sally) and Kevin Yee (Linus)!

OR

BUY BOTH SATURDAY AND SUNDAY AND SAVE!

When you buy both the Saturday and Sunday packages, we’ll give you the child tickets to the Sunday performance (up to four for each adult ticket purchased) FREE!

Call our Box Office today at 1.800.567.1600 to book your tickets.*

Make sure to mention that you’d like to book the Canada Day Kids Weekend Package and our Box Office staff will assist you in planning a fun holiday for your family.

What a great way to spend your Canada Day weekend!

OUR FUN-FILLED POST-SHOW PIZZA PARTY WILL INCLUDE:

OTHER ACTIVITIES HAPPENING IN AND AROUND STRATFORD ON CANADA DAY WEEKEND

  • Downtown Market Square Canada Day Celebrations
  • Farmers Market, Stratford Rotary Complex – open 7 a.m. to 12 p.m.
  • Slow Food Market, Market Square– open 10 a.m. to 2 p.m.
  • Stratford Summer Music events

SAVE EVEN MORE ON YOUR VISIT
Click here to download coupons for local family- and kid-friendly restaurants, retailers and accommodation providers.

Share the gift of theatre with your family this Canada Day weekend!

I’ll see you there!

Happiness is…
The Family Experience at the Stratford Shakespeare Festival

“Families today are so busy juggling multiple schedules. BMO is happy to sponsor the Family Experience program, which helps simplify bringing families together to enjoy the magic of live theatre.”

 

*Not available online.

Festival officially launches 60th season on Monday

May 25, 2012… The Stratford Shakespeare Festival launches its 60th season on Monday, May 28, with a gala performance of Much Ado About Nothing. This is the final season under the artistic directorship of Des McAnuff, and one that promises an array of wonderful theatre for every taste and age group.

“The 60th season is representative of Stratford in all its glory,” says Mr. McAnuff, who is directing Henry V and Christopher Plummer’s A Word or Two, both of which open later in the season. “Embodying Stratford’s hallmark marriage of tradition and innovation, the Cplaybill ranges from the very roots of drama to some of the finest playwrights working in Canada today. Shakespearean comedy, history and romance are complemented by a hilarious contemporary pastiche of Shakespearean tragedy, while the season’s varied musical theatre repertoire acknowledges our own era’s great contribution to the western dramatic tradition. Meanwhile, the strength of our acting company is being showcased not only in Stratford but also on Broadway, with the Tony-nominated Jesus Christ Superstar.”

“As we celebrate our Festival’s 60th season, the glorious heritage of our past provides us with a clear signpost to the way ahead,” says General Director Antoni Cimolino. “Our pioneering artists and those who supported them sought to create in Stratford nothing less than the finest classical theatre in the world. Thanks to their vision and determination, the adventure that began in 1953 with two productions in a tent is now North America’s premier repertory theatre, featuring 14 productions in five venues. That same spirit drives us today as we explore the classics of the past and give birth to the classics of the future.”

Much Ado About Nothing is directed by Christopher Newton, who was a member of the Festival’s acting company from 1966 to 1968. It features Ben Carlson as Benedick and Deborah Hay as Beatrice.

Five other productions will open during the week: 42nd Street, directed by Gary Griffin and featuring Sean Arbuckle as Julian Marsh, Kyle Blair as Billy Lawlor, Cynthia Dale as Dorothy Brock, and Jennifer Rider-Shaw as Peggy Sawyer; You’re a Good Man, Charlie Brown, directed by Donna Feore, featuring Stephen Patterson as Snoopy, Erica Peck as Lucy and Ken James Stewart as Charlie Brown; Cymbeline, directed by Antoni Cimolino, featuring Graham Abbey as Posthumus, Tom McCamus as Iachimo, Cara Ricketts as Innogen, and Geraint Wyn Davies as Cymbeline; The Pirates of Penzance, directed by Ethan McSweeny, featuring Sean Arbuckle as the Pirate King, Kyle Blair as Frederic, C. David Johnson as the Major General, and Amy Wallis as Mabel Stanley; and The Matchmaker, directed by Chris Abraham, featuring Tom McCamus as Horace Vandergelder and Seana McKenna as Dolly Levi.

The 60th season will feature a number of special events, including Christopher Plummer’s one-man show A Word or Two, which will run from July 25 to August 26. Most Rare Visions: 60 Years of the Stratford Shakespeare Festival is an exhibition of Festival artifacts, including rare footage of our pioneers, at a new space kitty-corner to the Avon Theatre, at 104 Downie Street. A symposium, Interpreting Shakespeare Across Settings and Media, featuring Colm Feore, Norman Lloyd, Dr. Katherine Lowe and the Festival’s Director of Archives, Dr. Francesca Marini, will be held on June 2. A dramatic reading of Edward Bond’s Bingo, about an aging William Shakespeare, will be held on June 15, with the playwright on hand for a Q&A with the audience. Lucy Peacock will hold a number of cabarets – Late Night with Lucy – in the new Studio Annex, in July and August, featuring music and conversation. The Celebrated Writers Series returns with Stephen Marche, author of How Shakespeare Changed Everything; Richard McCoy, author of Faith in Shakespeare; Michael Ondaatje, author of The Cat’s Table; and Margaret Atwood, author of In Other Worlds. Master voice and Shakespeare teacher Patsy Rodenberg will present three special events from July 18 to 22, to mark 60 years of the Festival’s extensive actor training activities. The Festival will launch a special 60th season book on June 2, Stratford: Behind the Scenes, which will available through the Theatre Store. These special events are all in addition to the Festival’s usual enrichment activities.

The Stratford Shakespeare Festival’s 2012 season runs until October 28, featuring Much Ado About Nothing; 42nd Street; The Matchmaker; Henry V; You’re A Good Man, Charlie Brown; The Pirates of Penzance; A Word or Two; Cymbeline; Wanderlust; Elektra; MacHomer; The Best Brothers; Hirsch and The War of 1812.

Opening Week Itinerary

Sunday, May 27
Garden Party
1:30 p.m. to 3:30 p.m. Festival Theatre lobby and gardens

Monday, May 28
Gala Opening of Much Ado About Nothing
Festival Theatre, 55 Queen Street, Stratford
6:30 p.m. Pipe Band parades to front of theatre and performs
7:00 p.m. Red Carpet arrivals
7:30 p.m. Performance of Much Ado About Nothing begins
10:10 p.m. Performance concludes

Tuesday, May 29
11:30 a.m. Book Launch – Festival Lobby
The Adventures of Adrian and Tiddlywinks by the late John Sullivan Hayes, former Producer of the Stratford Shakespeare Festival
Opening of 42nd Street
Festival Theatre
8:00 p.m. Performance begins
10:20 p.m. Performance concludes

Wednesday, May 30
Opening of You’re a Good Man, Charlie Brown
8 p.m. Avon Theatre
9:55 p.m. Performance concludes

Thursday, May 31
Opening of Cymbeline
8 p.m. Tom Patterson Theatre
11 p.m. Performance concludes

Friday, June 1
Opening of The Pirates of Penzance
8 p.m. Avon Theatre
10:35 p.m. Performance concludes

Saturday, June 2
10 a.m. to 1 p.m., Symposium, Studio Theatre (please contact Andrea Smitko to reserve tickets)
1:00 to 1:45 p.m. Book Launch – Stratford: Behind the Scenes. Rehearsal Hall 3, Studio Theatre.
Opening of The Matchmaker
8 p.m. Festival Theatre
10:40 p.m. Performance concludes

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Developmental Services Family Day at the Festival

by Christi Rutledge

We’re excited to be partnering with the Community Living Association of Ontario for a special Developmental Services Family Day on Saturday, June 2. At 2 p.m., we’ll be getting together to enjoy a performance of You’re a Good Man, Charlie Brown!

Here’s a little bit from Community Living Ontario’s website to help you get to know them:

Community Living Ontario is a non-profit, provincial association that advocates for people who have an intellectual disability to be fully included in all aspects of community life.

The goal of Community Living Ontario is:

That all persons live in a state of dignity, share in all elements of living in the community, and have the opportunity to participate effectively.

Community Living Ontario envisions a society where people who have an intellectual disability belong and feel respected.

For more information, you can visit Community Living Ontario online or call 1.800.278.8025.

If you or someone you know would benefit from attending the Festival’s Developmental Services Family Day, please join us on June 2! We are dedicated to making the theatre a space for all people to enjoy.

You’re a Good Man, Charlie Brown is a funny and touching story that can be appreciated by people of all ages and experiences. A fabulous cast, dancing, music, colourful sets and costumes, projection screens and even a jet-powered dog house help bring this production to life!

Here are a few insights into the show from director and choreographer Donna Feore.

Happiness is… sharing the gift of theatre!

Tickets to our Developmental Services Family Day are just $30 and can be purchased through our Box Office at 1.800.567.1600. Simply quote promotion code 41597 when you call.*

*Not available online.

It’s almost time for our Easter egg hunt – with a twist!

By: Lisa Middleton

It’s about that time of year… Time for our annual Easter egg hunt – with a twist! The Easter Bunny has taken a vacation and our Easter Beagle, Snoopy, will be hiding eggs all over the city of Stratford on Saturday, April 7, 2012.

Now, you might be wondering what types of things an Easter Beagle hides inside of eggs. The answer? Tickets to You’re a Good Man, Charlie Brown, of course! Inside of each Easter egg you’ll find a voucher for a pair of tickets to see Charlie Brown.* Just take your voucher to the Festival Theatre Box Office to redeem your tickets, only one voucher per household! All 50 eggs will be hidden by 10 a.m. and the Box Office is open until 5 p.m., so that gives you, your family and friends seven hours to search the city! But remember: this special offer is on for one day only, so you must redeem your vouchers by 5 p.m. 

We’ll be leaving you hints as to where the tickets are hidden; on April 7, watch our Facebook page and our Twitter feeds @stratfest and @stratfestchris to help you in your search (use the hashtag #ssfCharlie). Let us know what you find! Share photos of your hunt on our Facebook page or on our Twitter feeds… and see if you can catch our Easter Beagle!

We’re so excited to share this special event with you! Before you hit the streets, find out a bit more about You’re a Good Man, Charlie Brown, directed by the wonderful Donna Feore!

About the musical:
It’s a typically challenging day in the life of Charlie Brown, from trying to get his kite to fly to trying to find the nerve to talk to that cute little red-headed girl. Meanwhile, Charlie’s friends – and even his dog, Snoopy – face challenges of their own in their pursuit of that fleeting thing called happiness.

Meet the cast:

Check out some of the set pieces for Charlie Brown!

*Tickets will be available for performances of You’re a Good Man, Charlie Brown on May, 15, 18, 22, 24, 26 and 29. Each voucher can be redeemed for two free tickets, only one per house hold. Vouchers must be redeemed before 5 p.m. on April 7, 2012, or else they become null and void.